Surrette uses the objects in conjunction with brushes, dipping them into paint
and pressing them to canvas. The chopsticks, toothpicks and bottle caps create
dots in a variety of sizes, and a mosaic effect; sponges provide a textured
look.
"I end up with lots of odds and ends in my art kit," said Surrette, a senior
academic secretary in the sociology department and an artist in his spare time.
"I just like to experiment...and it's a lot less expensive than going out and
buying a lot of brushes."
His experimentation takes place both on canvas and the computer screen.
Surrette uses acrylic paint to produce images on canvas. He also uses a mouse
to manipulate a paint brush on the computer screen and produce digital images.
This year for the first time, Surrette will exhibit a variety his work at the
World Science Fiction Convention Aug. 31 through Sept. 4 in Chicago. In the
past, his art has been displayed at the Sarah Doyle Women's Center as part of a
University staff art exhibit and online in virtual galleries.
His digital images rely on a strong "cyber" look with some tribal and mythical
elements. "Friends say the digital images tend to be a little more eerie," he
said. Those images are transferred to paper using watercolor inks, a process
done by a professional printer at a cost of about $500 per image.
One of Surrette's digital images has found its way onto the cover of "Hong Kong
as a Global Metropolis," a book recently released by sociology Professor David
Meyer. The picture depicts the city's skyline and an airplane taking off.
Surrette would like to do more work for publishers, and hopes to learn more
about such opportunities at the World Science Fiction Convention.
Art "is a way to express myself," said Surrette. "Everything in my head sort of
works its way out."
However, none of his pieces is ever entirely finished, he said. Surrette
frequently returns to a painting or digital image to add or change major
components. "They tend to mutate over time," said Surrette. "Your skills get
better, you feel more confident, and can go back."
One advantage to the digital art over the paintings: Making changes is much
easier. "You can always hit `undo' if you don't like something." - Kristen
Cole
Do you know someone at Brown who has an interesting avocation or public service
project? Call the George Street Journal at 863-2476 or send e-mail to
Tracie_Sweeney@brown.edu.