|
Brown-RISD course unites two disciplines, two
institutions
Interdisciplinary Scientific Visualization
pairs artists and programmers; joint faculty committee will explore further collaboration.
by Elizabeth Miller
Science, like art, leaps forward with each new vision. Think
about the revolutionary contributions of Galileo. Darwin. Monet. Picasso. E.O.
Wilson. Andy Warhol. And these students in CS 237, Interdisciplinary Scientific
Visualization.
Team-taught by computer science Professor David Laidlaw and
Fritz Drury, head of RISD's illustration department, CS 237 folds student
artists and programmers together - at least for one semester, and maybe for
life. Laidlaw and Drury believe that the interaction between artists and
scientists is essential to the growth of both disciplines.

The RISD-Brown course, Interdisciplinary Scientific Visualization, helps students create illustrations like this one by David Laidlaw. It demonstrates the temporal evolution of turbulent jet concentration isosurfaces, and was created with Haris Catrakis and Paul Dimotakis. The 16 students in the class are working in
artist/programmer pairs to design a scientifically accurate and visually
compelling interactive virtual-reality model of an artery. This project
crisscrosses several disciplines; the students use data from applied
mathematics Professor George Karniadakis' research group and bioengineering
Professor Peter Richardson frequently lends his expertise.
"So how will you show blood
flow?" Laidlaw asks. Enthusiastic hands go up. A RISD student asks, "Can I make the
model look more organic?" "Yes." "But how?" Laidlaw
instructs the Brown computer science students to walk their partners through
the program. In return, the RISD artists challenge the programmers to think
outside their for-loops. The partnerships are successful. "How about a red
gradient to show velocity?" "Great," someone says, "very
bloody."
Why a project about arteries? Simple. Understanding them
could save lives. Laidlaw is pragmatic. "There is something I find
immediately gratifying about creating pictures, particularly when they're related
to real-world applications," he says. "Science offers endless
questions that may eventually be understood through visualization and
computational modeling."
Only recently have sophisticated computer models enabled
scientists to see what's really going on as arteries branch, twist, expand and
constrict, and are acted on by unseen forces like pressure. In “The
Computer Scientist as Toolsmith II,” Frederick Brooks Jr. writes,
"The magic of graphics, backed by the megaflops of computer power, does
indeed give us a creative medium of a totally new kind. These worlds can show
us new truth about our own world."
Advances in technology revolutionize how we see the world.
The students in CS 237 are experiencing this firsthand using the
"Cave" – an 8-foot immersive virtual reality cube – as a
21st-century canvas. By the end of the semester, they will have
designed a graphic representing the state of the art in our knowledge of
arterial blood flow. This is no small feat. "Our students are
exceptionally creative," Drury says. Laidlaw adds, "And they work
really hard."
For two years, Laidlaw taught CS 237 as a straight computer
science course, with a creative twist. He has always been interested in
artists' insights into scientific problems. Then last year he met Drury, an
artist with an interest in scientific illustration. They went out for sushi,
but neither remembers what they ate. The conversation was too interesting.
Here was a magnificent opportunity. They could bring
together not only student artists and computer scientists but two institutions
– Brown and RISD – often known in relation to each other only as up
or down the hill. One of the goals of President Simmons' administration is a
stronger relationship between the students, faculty and staff of these two
extraordinary places.
By working in artist/programmer pairs Laidlaw and Drury are
laying that foundation, as are their students. Interdisciplinary classrooms are
very compelling; there is the constant spar and feint of differences of opinion
that foments creativity. There will always be a demand for scientists who can
translate their data and for artists who can manipulate technology. The
students in CS 237 are both.
Brown, RISD create joint faculty committee
The provosts of Brown and the Rhode Island School of Design
have announced the creation of a joint faculty committee to explore the
potential for greater collaboration on academic activities and programs.
The Brown University-Rhode Island School of Design Joint
Faculty Committee will be co-chaired by Brown’s Robert Scholes, professor
emeritus of modern culture and media, and Paul Sproll, professor of art
education at RISD. The committee includes 10 faculty members from each
institution.
The charge of the committee, according to a joint memo
issued Nov. 7 by Brown Provost Robert Zimmer and RISD Provost Joe Deal, is to
“identify collaborations that seem most likely to significantly enhance
the missions of the two institutions.” The members will “evaluate
and make recommendations on potential joint graduate and undergraduate
programs, potential faculty collaborations for purposes of research, artistic
production and education, and other potential collaborations that would promote
and enhance the teaching and research efforts of both institutions.”
In addition to Scholes, committee members representing Brown
are Maggie Bickford, professor of history of art and architecture; Mari Jo
Buhle, professor of American civilization; Tony Cokes, associate professor of
modern culture and media; Wendy Edwards, professor of visual arts; John Emigh,
professor of theater, speech and dance; Richard Fishman, professor of visual
arts; Forrest Gander, professor of English; David Laidlaw, professor of
computer science; and Todd Winkler, associate professor of music.
In addition to Sproll, committee members representing RISD
are Lucretia Giese, associate professor of art history; Alexander Gourlay,
professor of English; Lucinda Hitchcock, assistant professor of graphic design;
Gary Metz, professor of photography; Mark Milloff, assistant professor of
foundation studies; Marilyn Rueschemeyer, professor of history, philosophy and
social sciences; Rosanne Somerson, professor of furniture design; Bill Seaman,
professor of digital media; and Anne Tate, associate professor of architecture.
|