CONFERENCE & DIGITAL LITERARY ARTS PROGRAM
two overarching themes :
We are concerned with archive - although not primarily, in the context of this particular gathering, with preservation. (Preservation has been the focus of ELO attention in other contexts and fora.) Here and now we ask: what are the electronic literary, digital poetic works that are worth putting into any institutional archive, and why? What archives exist and how do we use them? What has been done to build the new archive and where is it?
We will also be asking our host institution to address these questions. Brown University's Literary Arts Program offers the only 'terminal' - teaching-qualified - degree in Electronic Literature, a creative writing MFA. Where is its current archive and where will it be in five or ten years time? Thanks to Robert Coover, Andries van Dam, George Landow, momentarily Ted Nelson, and others, Brown was the pioneering institution at the center of a hypertextual, metafictional perfect storm. Where is the archive? Brown's Library is now building an innovative, flexible Digital Repository at the university level. We will be asking the institution to rediscover our archive in this repository and aim to provide - by the time of our gathering - accessible openings into what will be a rich resource for both scholarship and poesis: for writing and its futures.
We have not renounced the obligation to produce literary innovation that is specific to our media. Why do we innovate? Why must we innovate? Do we, indeed, innovate? What has happened to those forms in our media that were, once - and not long ago - new? Was it the requirement to innovate that caused us to disregard these forms and stifle their brief lives? Are we right to disregard them thus? If so, what will be the ultimate effect of innovation? Other than to ensure: the ever-swifter onslaught of breaking media, reducing today's novelties to this evening's broken media? The mutually assured - by readers and writers - obsolescence of digital literary practices?
It seems clear, in today's media culture, that we must be, we are, driven to innovate. How can we inflect this drive and make it critically, aesthetically productive? Make it generative of significant culture practice - of writing - that will, even if paradoxically, persist and continue to demand our attention and affection.
one celebration :
Robert Coover has been a major champion of literature in new media since the typewriter began to pass. He has done more than any other significant literary figure to promote the field, all but single-handedly adding a 'genre' to 'creative writing' in the world of institutionally-recognized and professed literary arts. It's time to address, honor, and celebrate Coover's contribution and its potential and potentially problematic legacy.
MORE INFORMATION ON THE FORM OF THE CONFERENCE
This gathering will strive for a degree of formal innovation.
Featured speakers will be explicitly invited to dialogue and debate.
Plenary panel sessions will be structured in terms of the 'interrupt,' as successfully instituted at Interrupt 2008.
But there will also be due regard to the demands of academic authority and certification.
Artistic contributions will be solicited on the basis that they may be subject to constructive critique in the context of our gathering.
Installation and gallery venues will be sought for work that is accepted and that we have resources to display.
We will plan to publish all accepted papers and the documentation for all accepted artistic contributions online before the conference. We would like participants to have written and published something that we all have the opportunity to consider in advance and then discuss in the formal context set out above.
With this material we will plan to put together the proposal for a book, one part proceedings and one part festschrift for Robert Coover, accommodating, of course, the inevitable overlap.