All courses above French 0100-0200 are taught in French, unless otherwise indicated. For hours, sections and locations, consult Banner The accompanying websites will be opened at the start of the semester. If you want to see a sample syllabus, go to the Full Catalog
Course Number |
Description and links |
FREN 0100
Annie Wiart |
BASIC FRENCH:
A two-semester course. Four meetings a week for oral practice, plus one conversation hour. One hour of work outside of class is expected every day (grammar/writing, oral practice, reading). An accelerated track enables qualified students to go directly to FREN 0500 after FREN 0200. NOTE: This is a year course. Enrollment limited to 18 per section.
Prerequisites: See the instructor for placement. Written permission required Section 01: M,F 9:00-9:50 & T,TH 10:30-11:50, J. Walter Wilson 201
Section 02: M,F 10:00-10:50, J. Walter Wilson 201 & T,TH 10:30-11:50, J. Walter Wilson 202
Section 03: M,F 10:00-10:50, J. Walter Wilson 301 & T,TH 2:30-3:50, J. Walter Wilson 201
Section 04: Cancelled
Section 05: M,F 12:00-12:50, J. Walter Wilson 201 & T,TH 9:00-10:20, J. Walter Wilson 202
Section 06: M,F 2:00-2:50 & T,TH 1:00-2:20, J. Walter Wilson 201
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FREN 0300
Thangam Ravindranathan |
INTERMEDIATE FRENCH I:
A semi-intensive elementary review with emphasis on all four skills (listening, speaking, reading and writing). Class activities include drills, small group activities, and skits. Class materials include an audio CD, videos, a French film, short stories, and various other authentic documents. Four meetings per week plus one conversation hour. Enrollment limtied to 18 per section.
Prerequisites: FREN 0200 or placement. (Previous experience with French is required to take this class) Section 01: W,F 9:00-9:50 & T,TH 9:00-10:20, Sayles Hall 305
Section 02: W,F 11:00-11:50 & T,TH 1:00-2:20, Sayles Hall 305
Section 03: W,F 1:00-1:50 & T,TH 2:30-3:50, Sayles Hall 305 |
FREN 0400
Gretchen Schultz |
INTERMEDIATE FRENCH II:
Continuation of FREN 0300 but may be taken separately. A four-skill language course that stresses oral interaction in class (three meetings per week plus one conversation hour). Materials include audio activities, film, and a contemporary novel. Short compositions with systematic grammar practice. Enrollment limited to 18 per section. Prerequisites: FREN 0300, FREN 0200 with written permission, or placement
Section 01: M,W,F 12:00-12:50, J. Walter Wilson 403
Section 02: M,W,F 1:00-1:50, J. Walter Wilson 202
Section 03: M,W,F 2:00-2:50, J. Walter Wilson 301 |
FREN 0500
Stéphanie Ravillon |
WRITING AND SPEAKING FRENCH I:
A four-skill language course that stresses oral interaction in class (three meetings per week plus one conversation section). Materials include audio CD, film, press articles, and literary excerpts. Writing is organized around specific tasks and systematic grammar practice. Enrollment limited to 18 per section.
Prerequisites: FREN 0200 accelerated track (with permission), FREN 0400, or placement
Section 01: M,W,F 9:00-9:50, Wilson Hall 203
Section 02: M,W,F 11:00-11:50, Wilson Hall 203
Section 03: M,W,F 1:00-1:50, Wilson Hall 203
Section 04: M,W,F 2:00-2:50, Wilson Hall 203
Section 05: M,W,F 12:00-12:50, 111 Thayer St. - Watson Inst 114 |
FREN 0600
Youenn Kervennic |
WRITING AND SPEAKING FRENCH II:
Prerequisite for study in French-speaking countries. Class time is devoted mainly to conversation and discussion practice. Writing instruction and assignments focus on essays, commentaries, and to a lesser degree, on story writing. Apart from reading assignments for discussion (press articles and literary excerpts), students select two novels to read. Three meetingsper week plus one conversation hour. Enrollment limited to 18 per section. Prerequisites: FREN 0500, FREN 0520, or placement.
Section 01: M,W,F 9:00-9:50, Wilson Hall 105
Section 02: M,W,F 10:00-10:50, Wilson Hall 105
Section 03: M,W,F 11:00-11:50, Wilson Hall 105
Section 04: Cancelled
Section 5: See Below
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FREN 0600L
Timothy Freiermuth |
WRITING AND SPEAKING FRENCH II:
Prerequisite for study in French-speaking countries. Class time is devoted mainly to conversation and discussion practice, with a strong emphasis on French- speaking literature. Writing instruction and assignments focus on essays, commentaries, and to a lesser degree, on story writing. Apart from reading assignments for discussion (press articles and literary excerpts), students select two novels to read. Three meetings per week plus one conversation hour. Enrollment limited to 18 per section.
Prerequisites: FREN 0500, FREN 0520, or placement.
Section 05: M,W,F 2:00-2:50, Wilson Hall 105
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FREN 0720
Virginia Krause |
FIRST YEAR SEMINAR:From Courtly Love to Post Modern Desire
From twelfth-century courtly literature to contemporary film, this course explores the enduring romance between French culture and Eros. The ambiguities of desire are brought to the fore across changing religious and social contexts. Readings include Duras, Flaubert, Freud, and Baudrillard.
Prerequisites: Open to students who receive a 5 (AP test), 700 and above (SAT II) or equivalent. For first year students only. Written permission required. Please email Professor Krause directly if you have any questions.
Section 01: M,W,F 12:00-12:50, J. Walter Wilson 402
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FREN 0750
Réda Bensmaïa |
Lost in Translation: Les voyageurs français en Amérique de Chateaubriand à Baudrillard:
What characterizes American culture? What does America stand for politically, culturally? These are some of the vexing questions major French writers asked themselves when they visited America. In this course we will study networks of ideas and images, which have shaped the dominant representations, and myths of America in novels and essays by French writers, thinkers, travelers during the nineteenth and twentieth centuries. Two short papers and an oral exam.
Section 01: M,W,F 10:00-10:50, J. Walter Wilson 302
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For Undergraduates and Graduates
General prerequisite for all 1000-level courses except 1510: one course from among French 0500, 0520, 0600, 0750, or 0760.
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Course Number |
Description and links |
FREN 1000B
Virginia Krause |
MASTERPIECES OF FRENCH LITERATURE FROM THE MIDDLE AGES TO THE PRESENT: Littérature et culture: chevaliers, courtisans, sorcières et philosophes
From the Middle Ages to the Age of Versaille, this course will examine 6 foundational moments in French civilization: the Crusades, courtly love, humanism, the witch hunts, Cartesian reason, and the emergence of the autonomous self. Close scrutiny of literature and film will provide a window onto French civilization before the Revolution.
Section 01: M,W,F 2:00-2:50, Sciences Library 418 |
FREN 1020A
Sanda Golopentia |
EARLY FRENCH LANGUAGE AND LITERATURE: Histoire de la langue fraçaise
We will examine the language interface between Gaulois, Francs, Vikings, and Romans; the voluntarism of French courts, grammarians, of the French Revolution or French feminists; the status and particularities of French in the European, American, and African francophone areas; "French conversation", French orthography, jeux de mots, pub, and langage des jeunes.
Section 01: T,TH 10:30-11:50, Wilson Hall 109A |
FREN 1070I
Thangam Ravindranathan |
STUDIES IN FRENCH LITERATURE OF THE TWENTIETH CENTURY: Histoires d’animaux
From fables and fairytales to postmodern pastiche, the presence of the animal, whether literal or allegorical, has worked as a critical counterpoint to that of the human. In this course we will consider some ways in which modern prose, poetry and film "think" - and increasingly mourn - humans' disappearing others. Authors include Michaux, Cendrars, Ponge, Bresson, Chevillard, Marker, Derrida.
Section 01: T,TH 2:30-3:50, Sciences Library 1018 |
FREN 1120A
Sanda Golopentia |
STUDIES IN THE FRENCH THEATER: Le theater de la Belle Epoque
The civic festivities, universal expositions, bohemian gaiety, and commercial entertainments of the Third Republic are matched by a lively confrontation between vaudeville, naturalist comédie rosse, symbolist theater and the emerging absurd comedy of the anti-théâtre. We'll study representative plays by Claudel, Maeterlinck, Feydeau, Courteline, Rostand, and Jarry, comparing them with paintings and prints by Degas, Seurat, or Toulouse-Lautrec.
Section 01: T,TH 1:00-2:20, Wilson Hall 109A |
FREN 1310A
Pierre Saint-Amand |
SPECIAL TOPICS IN FRENCH STUDIES I: "French Lovers"; Séduction et libertinage sous l'Ancien Régime
A study of love and relationships in the Old Regime. The course will concentrate on the major actors (the libertine, the fop) , on the spaces (the boudoir, the salon, the garden), on social practices (conversation). Authors will include Molière, Mme de Lafayette, Crébillon fils, Laclos and film adaptations by Honoré, Frears, and Forman.
Section 01: T,TH 10:30-11:50, 111 Thayer Street - Watson Inst 114 |
FREN 1330A
Lewis Seifert |
STUDIES IN FRENCH LITERATURE IN TRANSLATION: Fairy Tales and Culture
Fairy tales occur in almost every culture across the globe. If the genre has such broad appeal, it is because it encapsulates in (usually) succinct form many of the pressing concerns of human existence: family conflict, the struggle for survival, sexual desire, the quest for happiness, among many others. This course explores why writers and readers have been attracted to the fairy-tale form through a study of its key elements and its uses in adult and children's literature, book illustration, and film. Special attention will be given to French contes de fées, along with North American, English, German, Italian and selected non-Western fairy tales, organized according to folkloric tale-types. The course will be conducted in English. All readings will be in English, with French, German, and Italian originals on reserve at the Rock.
Section 01: M,W,F 11-11:50, J. Walter Wilon 202
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FREN 1410O
Lewis Seifert |
FRENCH CULTURE AND CIVILIZATION: Nous et les autres: Les Francaís et le monde de la Renaissance à la Révolution
An exploration of early French encounters with and reactions to non-European cultures from 1500 to 1800. By studying travel narratives, essays, and fictional texts, we will examine the multiple ways that French identity attempts to come to terms with its "Others" during this crucial period of European colonial expansion. Besides secondary texts, readings include travel writings and fictional texts by Cartier, Thevet, Thévenot, Tavernier, Choisy, Molière, Galland, and Montesquieu.
Section 01: M,W,F 1:00-1:50, 111 Thayer St. - Watson Inst 112 |
FREN 1510 S1
Youenn Kervennic
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ADVANCED WRITTEN AND ORAL FRENCH: Le Voyage: Travels and Travelers.
This course will discuss various types of travels and travelers (tourists, missionaries, explorers, immigrants, etc.) as well as the different genres of writing (journals, novels, letters, science fiction, etc).
Follows FREN 0600 in the sequence of language courses. Development of oral skills via presentations, debates, conversation, and discussion based on a variety of topics. Writing activities: essays, e-mails, commentaries, journals, etc. May be repeated for credit.
Prerequisites: FREN 0600, or equivalent.
Section 01: M,W,F 11:00-11:50, Smith-Buonanno Hall 207
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FREN 1510 S2
Stephanié Ravillon |
ADVANCED WRITTEN AND ORAL FRENCH: La Traduction
This course will be designed to expand students' range and appreciation of written styles and registers and will be based on translation exercises and texts reflecting different types of written and oral communication. Texts will range from literary texts (exerpts from novels, plays, comic books) to journalistic texts (articles from newspapers) and correspondence (letters, emails).
Follows FREN 0600 in the sequence of language courses Development of oral skills via presentations, debates, conversation, and discussion based on a variety of topics. Writing activities: essays, e-mails, commentaries, journals, etc. May be repeated for credit. Enrollment limited to 18.
Prerequisites: FREN 0600, or equivalent.
Section 02: M,W,F 12-12:50, Wilson Hall 105 |
Primarily for Graduates |
Course Number |
Description |
FREN 2040D
Michel-André Bossy |
STUDIES IN MEDIEVAL FRENCH LITERATURE : Arts de récit, 1100-1400
Readings and interpretations of major texts that illustrate the development of verse and prose narrative in French medieval literature, from the Chanson de Roland and early Arthurian romances to Froissart's Chroniques. Emphasis on relating questions of narrative aesthetics to important frames of political, social and cultural history.
Section 01: W 3:00-5:20, Rochambeau House Library (84 Prospect Street) |
FREN 2150D
Pierre Saint-Amand |
STUDIES IN FRENCH LITERATURE OF THE EIGHTEENTH CENTURY: Qu’est-ce que les Lumières?
An examination of major and minor authors of the French Enlightenment from the point of view of the capital ideas that have dominated the century: pleasure and taste, reason and violence, gender and race. Examines the reception of the Enlightenment by contemporary theorists and historians, principally Foucault, Habermas. Readings in Montesquieu, Godard d'Aucour, Denon, Graffigny, Boyer d'Argens, Diderot and Rousseau.
Section 01: F 3:00-5:20, Rochambeau House Library (84 Prospect Street) |
FREN 2170D
Edward A'Hearn |
STUDIES IN FRENCH LITERATURE OF THE NINETEENTH CENTURY: Baudelaire, Rimbaud et Mallarme
No description available.
Section 01: M 3:00-5:20, Smith-Buonanno Hall 207 |