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Online Resources for the Humanities: Interdisciplinary Perspectives.
International Seminar May 7-8, 2004
ABSTRACT: Griseldaonline, An Experiment and a Project.
Because of its continually amplified, nebulous anarchy of information,
navigation in the Web universe is disorienting. Griseldaonline is a multimedia
journal of Italian literature that wnats to propose, within the context
of W3C standards, new models of textuality in the digital environment.
Officially published every semester, but with periodical updates, the
journal offers materials and discussions on three levels, which interact
within a harmonious, interactive construct:
Griselda's journeys (articles, essays, scientific contributions),
Pedagogy and training (dedicated to the teaching of Italian literature),
humanities computing (for the study of multimedia technologies as applied
to literary study).
Griseldaonline offers all its readers a vast and organic selection of
information and services, accessible through Web links that connect the
various resources within an easy-to-navigate hypertextual environment
built with usability in mind. The objectives of this tool, which can be
defined as a literature portal (or "vortal") are: to offer original
articles by the authorities in the field; to offer a deeper understanding
of the topics and theoretical problems of literary study; to supply students
and teachers with didactical tools and suggestions; and to bring together
literary researchers and new technologies useful in the humanities.
The special attention given to the semantic dimension attests to our
awareness that the mere existence of materials on the Web cannot guarantee
their quality, cannot be considered the "certifying" element.
The Web must instead establish itself as a place for distribution of the
results of scientific research that reflects upon traditional instruments
from the perspective of innovation, integration and reorganization.
The section Griselda's Journeys proposes to investigate literature through
the themes and topoi that delimit some "extreme," relevant,
defining literary speces. Each semester's work, in fact, concerns only
one topic, through contributions by internationally renowned researchers.
We construct hypertextual navigation environments and iconographic paths.
This section houses two sub-sections: one containing deeper examination
("Microscopies"), the other unedited narrative material
("Readings"). Through the "Intersections" page, it
is possible to navigate the lemmatic index, which is continually supplemented
with new contents, products of the ongoing publications.
The section Training and Pedagogy offers educators a basic access to
the humanistic-literary area, proposing new arguments for debate (in a
forum) and didactic modules organized according to the topic chosen for
the current issue. The objective is to work on employing new technologies
for the teaching of literature by constructing new multimedia tools.
The section Humanities Computing is dedicated to the applications of
computing to the work of the Italianist researcher. It contains essays,
monographs and theoretical papers, as well as practical examples of computational
analysis of literary texts. Critical hypertextual editions, digital images
of manuscripts and principes, databases of classic works, automatic indexing
and concordance systems, computational ecdotic elaborations are the most
eloquent examples of the applications of computation to the literary text.
Within our site, the problems of computational modelling are not only
a discussion motivator and topic of debate, but also a springboard for
the creation of digital objects. In this section readers may also find
a manual titled Humanities Computing. Towards Application of Computational
Practices to Literary Texts.
All contributions published in the portal are both open for online consultation
and linked to their printable versions. Newsletters and mailing lists
ensure continuous contact with the large number of subscribers, who periodically
receive information and are kept up to date regarding new publications.
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