Signs
and Signifying Systems
- Semiotics/Semiology:
the science of signs by Ferdinand de Saussure and Charles Peirce
- A focus on how
meaning is constructed, not what the meaning is (as in content analysis).
It thus treats its objects as texts (as meaningful on the basis of
shared codes and conventions), not as autonomous objects with pre-existent
and universally apparent meaning.
- Language is the primary
model of a signifying system that creates, rather than simply expresses,
meaning. In so doing, it produces our conceptual categories; we are in a
"prison house of language," and rather than fully controlling language,
we are "spoken by" it.
- Language (human speech)
= langue and parole. Saussure concentrates on langue (a social rule-governed
system) rather than on parole (the individual speech acts which must
conform to the underlying system in order to be understood).
- A synchronic
(static) vs. diachronic (historical) approach: Saussure looks at
the state of the underlying system at one given point in time in order to
see the rules and patterns, rather than tracing out the changes in language
over time.
- The smallest unit is
the sign: something that stands for something else in order to communicate.
- According the
Saussure, the sign is formed from the union of the signifier
(the sound-image) and the signified (the concept it represents).
The connection between them is arbitrary and conventional,
but only through their union are significant sounds and ideas articulated
(marked off as meaningful units to be selected and combined).
- Peirce broke
the sign down into 3 parts: the representament (like the
signifier), the object (the signified), and the interpretant
(the sign that we used to translate the first sign). This emphasis
on "translation" indicates that meaning always refers
back to the signifying system: we are in an endless chain of semiosis.
Similarly, all texts refer to other texts with which they share
conventions: they are all structured by relations of intertextuality.
- According to Peirce,
there are 3 kinds of signs depending on the relationship between signified
and signifier and the degree of motivation that links the two. All
of them, however, involve some degree of social convention (not just a purely
natural relationship) in order to be "readable."
- symbolic:
a purely arbitrary relationship (examples: language, pink = girl)
- iconic:
a relationship based upon resemblance (examples: maps, pictures)
- indexical:
an existential or causal relationship based on the occurrence of
co-presence within a particular context (examples: thermometer,
footprints)
- Signs have no positive
or intrinsic value: a sign's meaning and value derives through its difference
from and relationship to other signs--from its relative position in
the system, its value:
signification
value

- There are 2 kinds of
significant relationships:
- Syntagmatic
(horizontal relations): the relative position of a sign along a
temporal chain (examples: a word in a sentence, shots in a film
scene, programs in a TV schedule).
- Paradigmatic/Associative
(vertical relations): the set of signs that could have been substituted
for the chosen sign but are absent; other possibilities in the same
category (examples: other words that are associated with the 1st
word due to similarities of sounds or meanings; the set of all talk
shows; the set of camera distances, etc.).
- The conventional rules
governing the combinations (syntagms) of what's been selected from the possible
choices (paradigms) are the codes of the structure. Codes establish
rule-governed systems that are known by both readers/viewers and producers
and that link separate texts together in relations of intertextuality
(shared conventions that let us make sense of texts in relation to one another
other).
- Yet semiotic theory,
as initiated by Saussure, tends to be ahistorical (due to his emphasis on
synchronic analysis). How to solve this problem and be able to attend to history?
Some suggestions:
- Roland Barthes' theory
of myth and connotation
- Myth (popular
belief) is a 2'nd order system (the level of connotative
meaning) operating on the 1'st order system (the level of denotative
meaning).

- Myth robs meaning
of its historical contingency, but does so out of a historical
motivation; it naturalizes certain meanings by attempting
to freeze history into nature (thus making those meanings appear timeless
and universal).
- Some media and cultural
theories emphasize the historical construction of meanings which are then
open to negotiation and socially specific readings. [Later weeks on discourse
and ideology will elaborate these approaches].
- Cultural codes may
work together to promote a dominant or preferred meaning, but texts are
never fully unified; they are polysemic (open to multiple meanings),
and therefore, readers/viewers may not all take up the preferred meaning;
other interpretations are possible depending on the historical contexts
and intertexts.
- There is thus a distinction
between the empirical reading/viewing subject (the actual person who,
depending on his social position, will accept, reject, or negotiate with
the dominant meaning) and the textually-inscribed subject (the ideal subject
addressed by a text-- a theoretical construction and embodiment of the
text's preferred reading position).
- We are each situated
by various discourses (social organizations of language with conventions
that govern how objects are to be known and defined, who counts as qualified
speakers, and what perspectives are preferred). We use these discourses
to make sense of our world, so subjects positioned by competing discourses
will "read" texts differently.
- Not all discourses
are equal. Those with the most power to define culture--the most cultural
capital--will best assert their meanings. Discourses are power relations,
yet negotiations, variations, and resistances are also inevitable.