Courses in the Department of Music
SPRING 2010 |
[NOTE: A full list of Banner numbers for Music courses and former corresponding numbers can be found at the bottom of this page.]
Course Offerings for Spring 2010
MUSC 0021 First Year Seminar
A seminar designed for students interested in music who are in their first year of study at Brown. No special musical background is required. All students welcome. In order to preserve an intimate environment for dialogue, and to promote active participation of all the students, enrollment will be limited.
MUSC 0021E Good Vibrations - The Music of Everyday Objects
This seminar will investigate the sonic properties of everyday objects and environments, and how they can transform into musical expression. Through a focus on listening and experimentation, the seminar will explore resonance, reverberation, field recording, feedback, circuit bending, archaeological acoustics, and other topics. Students will create individual and collaborative compositions and performance situations. No formal music background is required. Enrollment limited to 20 first year students. FYS
T,Th 2:30-3:50 p.m. (J. Rovan) Steinert 101
MUSC 0052 Beethoven
A study of Beethoven’s life and music.
T,Th 10:30-11:50 a.m. (D. Josephson) Orwig 315
MUSC 0061 Blues
Downhome, classic, 'Chicago', and urban blues. History, musical structure, musical styles, singers' lives, and meanings of blues lyrics. The current blues revival, blues and tourism,, race and revisionist blues scholarship, and the relation of blues to African American poetry and fiction. Artists such as Ma Rainey, Charley Patton, Robert Johnson, Lightnin' Hopkins, Muddy Waters, B.B. King, Buddy Guy, Robert Cray. Limited to 60 students.
T,Th 2:30-3:50 p.m. (J. Titon) Grant
MUSC 0072 History of Musical Theatre [Students should register for TDSA 0960C]
A study of the history of American Musical Theatre from Tin Pan Alley to today's Broadway musicals. Students enrolled will study primary-source libretti, musical scores and interviews, as well as historical articles and essays on musical theatre and society. Special emphasis will be placed on musicals and their implication in helping to shape and define American social history, including topics such as national identity, race relations, and the treatment of minorities.
Mon. 3:00-5:20 p.m. (A. Hertz) Orwig 315
MUSC 0075 Jazz and American Culture
Explores jazz in relation to American history, discussing how economics, war conditionsm regional differences and race relations shaped the music an its public reception. With readings from A. Baraka, L. Levine, R. Ellison, L. Erenberg, E. Lott, G. Early, S. DeVeaux and others, we address how jazz embodies social and political values or expresses national character. Open to non-musicians. Music proficiency preferred but not required. Enrollment Limited to 60.
M,W,F 11:00-11:50 a.m. (D. Gooley) Orwig 315
MUSC 0210
Topics in Electronic Music and Multimedia
MUSC 0210C Music/Video: An introduction to electronic sound & image
A survey of basic techniques in creating computer-based music and video, with a special focus on the ways that sound and image impact one another. We will work to develop critical listening and viewing skills through the study of important historical and contemporary works ranging from experimental audio and video to film soundtracks to MTV. Through ten progressive weekly assignments, you will learn how to create imaginative electronic music and video. The final project will consist of a five-minute audiovisual piece which will be screened, performed, or exhibited at a public event.
Thurs. 6:30-9:20 p.m. (E. Biggs) MML [Multimedia Lab]
MUSC 0456 Musical Theatre Writing Workshop [Students should register for TDSA 0960B]
A practical study in the creation of new works for the American musical theatre. Students enrolled in this course will learn the craft of musical theatre writing, and will be able to workshop their material for their peers. Musicals from the last eighty years will be studied and analyzed. Those enrolled may choose a focus of composition, lyric writing, playwriting, or any combination thereof. Collaborators are welcome to work together in this class, and those looking for potential collaborators will be paired with other students if they so desire. While amateur composers are encouraged to join, this is not a music theory course, and composers are expected to have a basic knowledge of theory (or self-taught skills).
Tues. 4:00-6:20 p.m. (A. Hertz) Orwig 112
MUSC 0560 Theory of Tonal Music
MUSC0550 is a prerequisite to MUSC0560. Enrollment limited. Written permission required. LL
T,Th (S01) 2:30-3:50 p.m. (D. Hurst) Orwig 315
T,Th (S02) 1:00-2:20 p.m. (M. Steinbach) Steinert 105
M, W,F (Lab) 9:00-9:50 a.m. (A. Cole) Orwig 315
M,W (Lab) 12:00-12:50 p.m. (A. Cole) Orwig 315
F (Lab) 12:00-12:50 p.m. (A. Cole) Steinert 105
MUSC 0910 Medieval and Renaissance Music
A history of western European music to Monteverdi's Orfeo (1607), with emphasis on the analysis of individual works supported by reading and listening. Among the major composers studied are Byrd, Dufay, Josquin, Machaut, and Palestrina. Strongly recommended for freshmen and sophomores considering a concentration in music. Limited to students who can read music. Prerequisite: MUSC 0550 or permission of instructor.
T,Th 9:00-10:20 a.m. (L. Jodry) Orwig 315
MUSC 1011 Advanced Musicianship II
Continuation of MUSC1010. Prerequisite: MUSC1010 or permission of the instructor. Written permission required.
M,W,F 2:00-2:50 p.m. (A. Cole) Orwig 315
MUSC 1110 Seminar in Composition
Finding a personal voice as a composer. Assignments develop familiarity with large forms and increasingly complex structures. Analyses of contemporary compositions elucidate issues of aesthetic and political stance inherent in compositional activity and teach technical facility and range of expression. Problems of rehearsal and performance for new music are considered. Prerequisite: MU 1100 or permission of the instructor. Enrollment limited to 20 students.
Thurs. 4:00-6:20 p.m. (G. Shapiro) Orwig 112
MUSC 1120 Technique of Orchestration
Introduction to standard instrumentation; exercises in basic principles; analysis of styles of scoring. Prerequisite: MUSC 0560 or permission of instructor.
T,Th 1:00-2:20 p.m. (F. Bruce) Orwig 112
MUSC 1200 Seminar in Electronic Music: The Recording Studio as Compositional Tool
A study of advanced techniques of composition employing electronic media, including composition in large forms, use of the recording studio, mixed media, and live electronic performance. Prerequisite: MUSC0200 or equivalent. Enrollment is limited. Written permission required.
Tues. 2:30-4:50 p.m. (J. Moses) Steinert 205
Thurs. (Lab) 2:30-3:50 p.m. (J. Moses) Steinert 205
MUSC 1240 Topics in New Media Theory and Production
MUSC 1240B
Narrative and Immersion
Narrative and Immersion is a production course examining the potentials for engagement in new media installations. The course draws on techniques of narrative to establish engagement in immersive environments. Students will be introduced to cinematic concepts, interactive technologies, multi-channel video and surround sound environments. Classes meetings will consist of viewing and analysis of exemplary work, discussion of readings, and critiques of student projects. An additional 1-hour technical workshop will be devoted to learning Jitter. Class members should have completed advanced work in film/video, digital sound, and/or creative writing. Open to upper-level undergraduate students and graduate students. The final class list will be determined after the first class meeting, by permission of instructor. May be repeated for credit. S/NC
Thurs. 2:00-4:50 p.m. (L. Thornton/T. Winkler) Steinert 105
Thurs. (Lab) 1:00-1:50 p.m. (L. Thornton/T. Winkler) Steinert 105
MUSC 1600 Seminar in Music and Critical Theory
MUSC 1600B Adorno and Jankelevitch in Dialogue
Philosophers Theodor Adorno and Vladimir Jankelevitch were both leading philosophers of the mid-20th century (in Germany and France respectively). Both were also avid pianists who produced several philosophical books on music. This course examines their musical writings both independently and comparatively. Jankelevitch’s ethical and metaphysical questions, together with Adorno’s sociological and historical ones, will be studied in relation to the philosophical traditions they inherited and transformed. Their work will also be evaluated in the volatile European context of the period 1930-70. Enrollment limited to 20 students.
Wed. 3:00-5:20 p.m. (D. Gooley) Orwig 112
MUSC 1640 Seminar in Opera Studies
MUSC 1640C
Wagner’s Ring
This seminar will pursue a rigorous musical, textual, historical, and political analysis of Wagner's tetralogy The Ring of the Nibelung. It will include an analysis of production styles, with specific attention to the production currently in joint development at the Teatro alla Scala, Milan, and the Berlin State Opera, to be directed by Guy Cassiers. We will address themes such as globalization and its discontents, the interplay of music drama and visual technologies, and the contextual importance of serial novels such as those of Marcel Proust, Robert Musil, and Hermann Broch. Enrollment limited to 20 students.
Wed. 3:00-5:20 p.m. (M. Steinberg) Orwig 109
MUSC 1672 Hitler’s Gift
The flight of musicians from Europe in 1933-45 exile changed the face of Western music, and it changed them. Among them were many of the great musicians of the 20th century, including Bartok, Casals, Klemperer, Rubinstein, Schoenberg, Toscanini, and Weill. We examine patterns of emigration, settlement, and adaptation through memoirs, letters, essays, newspaper articles, biographies, recordings, and videos.
T,Th 2:30-3:50 p.m. (D. Josephson) Orwig 109
MUSC 1700 Score Reading and Conducting
The art of reading, analyzing, and conducting a musical score. Studies in clef reading, transposition, ear-training, and structural anlaysis to develop the skills needed for full comprehension of an orchestra score. Introduces the theory and technique of conducting with practice in the art of physical gesture. Selected repertoire from the Baroque through contemporary periods are studied and conducted in class. Written permission required. Prerequisite: MUSC0560. May be repeated for credit.
Mon. 3:00-5:20 p.m. (P. Phillips) Grant Recital Hall
MUSC 1900 Introduction to Ethnomusicology
The study of people making music. Ethnographic research and writing on musical practices; history of ethnomusicology; musical case studies from around the world highlighting such issues as authenticity, tradition, commercialism, amateurism, postcolonial politics, and the ethics of fieldwork. Prerequisite: MUSC0550 or written permission.
T,Th 10:30-11:50 a.m. (C. Tucker) Orwig 109
MUSC 1905 Studies in Ethnomusicology
MUSC 1905A
Music and Cultural Policy
What is to be done about music and the people who make it? All over the world, individuals, governments, NGOs, and other groups are making plans for music: to ensure its survival, to make it known to a wider public, or to use it as an engine of economic growth. This course will examine various social engineering projects involving music. Topics will include media and internet regulation; ownership of music and intellectual property law; the role of institutions such as UNESCO; music in war and peace; music, heritage, and cultural tourism; and conservation, stewardship, and sustainability. No prerequisites. Enrollment limited to 15.
Wed. 12:30-2:50 p.m. (J. Titon/M. Perlman) Orwig 109
MUSC 1905B Indigenous Music of the Americas [Students should register for ETHN 1890D]
Introduces students to music of indigenous communities in North, Central, and South America, with particular attention to the relation between performance, cultural identity, and social change. We will focus especially on indigenous societies in the Andes, Brazil, and the United States and Canada. The course is designed to explore common links between indigenous history, worldview, and performance throughout the hemisphere, while simultaneously illuminating how distinct experiences of colonization and recovery have fostered unique musical practices.
Tues. 4:00-6:20 p.m. (C. Tucker) Location TBA
MUSC 2050 Musical Thinking
An ethnomusicological approach to the analysis of musical structures and processes. Case studies include jazz, Irish music, French-Canadian fiddling, North Indian singing, Javanese gamelan, African drumming, and Japanese court music. Topics include linguistic, psychological, and oral-formulaic theories; historical change; cross-cultural modal theory; improvisation; the nature of African rhythm; "insider" versus "outsider" accounts. Readings, discussion, and first-hand experience of selected musics. Facility with Western staff notation required.
Thurs. 4:00-6:20 p.m. (M. Perlman) Orwig 109
MUSC 2080 Seminar in Ethnomusicology
MUSC 2080A Music and Technoculture
This seminar investigates ethnographic approaches to technologically-mediated musical practices. Case studies will focus on recording studios, electronic dance music, broadcast media, digital gameplay, virtual-reality spaces, multimedia installations, and popular music reception. Theoretical readings will be drawn from anthropology of the media, reception studies, and media design/production texts. Students will conduct ethnographic projects. Prerequisite: graduate standing or written permission.
Mon. 3:00-5:20 p.m. (K. Miller) Orwig 109
MUSC 2220 Designing and Playing Alternative Controllers
This seminar will explore the science and aesthetics of designing alternate controllers for musical performance. Topics will include basic electronics and hardware prototyping, instrument construction, theories of gesture, human-computer interface issues, and the challenges of mapping sensor data to meaningful musical parameters. Previous experience with MaxMSP or other real-time programming required. Permission of instructor required. Students MUST register for a lab, and a lecture section.Instructor’s permission required.
M,W 2:00-3:20 p.m. (J. Rovan) Steinert 205
W (Lab) 3:30-4:50 p.m. (J. Rovan) Steinert 205
MUSC 2280 Designing Large-Scale Multimedia Projects
A production seminar designed for students working on a single, large project in Multimedia and/or Computer Music. The course covers planning and implementation strategies, with group critiques of proposals and works-in-progress. The class structure includes individual lessons. The course is also appropriate for students working on a graduate or undergraduate thesis project. Enrollment is limited. Written permission required. May be repeated for credit.
Fri. 1:00-3:50 p.m. (T. Winkler) Steinert 101
Performance Offerings - Fall 2010
MUSC 0221 Electroacoustic Improv Ensemble(Half credit each semester) An ensemble devoted to free improvisation with new media. Experimental approaches to sound and focused listening techniques are explored with acoustic instruments, live electronics, real-time video, together with networked improvisation, and more. By audition. May be repeated for credit. Limited enrollment.
Wed. 7:00-9:50 p.m. (J. Rovan) Steinert 205
MUSC 0601 Chorus (Half credit each semester) A practical study of choral literature, techniques, and performance practice from Gregorian chant to the present, offered through rehearsals, sectionals, and performance. Reading and listening assignments may be required. Enrollment by audition, based on voice quality, experience, and music-reading ability. May be repeated for credit. Written permission required.
Mon, Wed. 6:30-8:20 p.m. (L. Jodry) Steinert 105
MUSC 0611 Orchestra (Half credit each semester) A practical study of the orchestral repertory from Bach to the present, offered through coaching, rehearsals, and performances. Enrollment by audition. Restricted to skilled instrumentalists. May be repeated for credit. Written permission required.
Tues, Thurs. 7:15-9:45 p.m. (P. Phillips) Alumnæ Hall
MUSC 0621 Wind Symphony (Half credit each semester) A practical study of the wind band repertory from Mozart to the present, offered through coaching, rehearsals, and performances. Enrollment by audition. Restricted to skilled instrumentalists. May be repeated for credit. Written permission required.
Mon, Wed. 6:00-7:20 p.m. (M); 6:00-8:20 p.m. (W) (M. McGarrell) Fulton Rehearsal Hall
MUSC 0631 Jazz Band (Half credit each semester) A practical study of jazz from the 1920s to the present through coaching, rehearsals, and performances. Seminars on arranging, ear training, and improvisation are conducted for interested students but the focus is on performance. Enrollment by audition. Restricted to skilled instrumentalists and vocalists. May be repeated for credit. Written permission required.
Mon, Thurs 7:30-8:50 p.m. (M); 6:00-7:20 p.m. (Th) (M. McGarrell) Fulton Rehearsal Hall
MUSC 0641 Ghanaian Drumming (Half credit each semester) A dynamic introductory course on drumming, dancing, and singing of Ghana and the diaspora. Students learn to perform diverse types of African music, including Ewe, Akan, Ga, and Dagomba pieces on drums, bells, and shakers. No prerequisites. May be repeated for credit. Enrollment limited to 15.
Wed. 5:00-7:20 p.m. (Sec.01) (M. Obeng) Orwig 301
MUSC 0651 Javanese Gamelan (Half credit each semester) Instruction, rehearsals and performances of the music of Indonesia using the Department's Javanese gamelan ensemble, "Sekar Setaman." The Javanese gamelan is an orchestra consisting of gongs, bronze metallophones, xylophones, drums, a flute, singers, and a bowed string instrument. No prerequisite. May be repeated for credit. Limited enrollment.
Tues. 6:00-8:50 p.m. (M. Perlman) Orwig 111
MUSC 0661 Sacred Harp/Shape-Note Singing (Half credit each semester) Students will learn the traditional performance practices associated with the shape-note tunebook The Sacred Harp, a compilation of American vernacular hymnody first published in Georgia in 1844. This is an unaccompanied, four-part, participatory singing tradition. Ability to read Western music notation helpful but not required. No concert performances. No prerequisites. Repeatable for credit. S/NC.
Thurs. 5:00-6:50 p.m. (K. Miller) Steinert 105
MUSC 0671 Old-Time String Band (Half credit each semester) Southern Appalachian Mountain music on such acoustic instruments as fiddle (violin), banjo, mandolin, and guitar. Music taught by ear. Prerequisite: audition during first class. May be repeated once for credit.
Tues. 7:00-8:50 p.m. (J. Titon) Orwig 301
MUSC 0681 Chamber Music Performance (Half credit each semester) The practical study of the literature of chamber music through participation in a small ensemble. Regular rehearsals, coaching by department staff, and performances are required. Enrollment by audition. Restricted to skilled instrumentalists. May be repeated for credit. Written permission required.
Arr. (P. Phillips)
MUSC 0810 Applied Music Program: Instruction in Vocal or Instrumental Music (Half-Credit each semester) Restricted to skilled musicians. Openings are limited. Enrollment and re-enrollment is by audition and jury. Lessons are given by consultants to the Applied Music Program. A fee is charged for enrollment. Copies of the Applied Music Program Guidelines giving detailed information are available online at www.brown.edu/music. Instructor’s permission required. Repeatable for credit four times on the same instrument.
MUSC 1810 Applied Music Program: Instruction in Vocal or Instrumental Music (Half-Credit each semester) Restricted to skilled musicians demonstrating mastery of an advanced repertory in their fields. Openings are limited. Enrollment and re-enrollment is by audition and jury. Lessons are given by consultants to the Applied Music Program. A fee is charged for enrollment. Copies of the Applied Music Program Guidelines giving detailed information are available online at www.brown.edu/music. Instructor’s permission required. Repeatable for credit four times on the same instrument. Prerequisite: a passing grade or current enrollment MUSC 0400, MUSC 0550, or MUSC 0560.
MUSC 1961 Ghanaian Drumming (Half credit each semester) Students with experience in African and related musical traditions perform drumming, dancing, and singing of Ghana and the diaspora. Focus on a more challenging repertoire with emphasis on multi-part, lead, and improvisational playing. Prerequisite: audition. May be repeatable for credit. Written permission required.
Wed. 7:30-10:00 p.m. (M. Obeng) Orwig 301
NEW BANNER NUMBER |
Former # |
Notes |
|||
MUSC 0010 Introduction to Western Music |
MU0001 |
||||
MUSC 0020 Popular Music & Society |
MU0002 |
||||
MUSC 0021 First Year Seminar |
MU0021 |
||||
MUSC 0030 History of Jazz |
MU0036 |
||||
MUSC 0040 World Music Culture (Africa, American, Europe, Oceania) |
MU0005 |
||||
MUSC 0041 World Music Cultures II (Middle East and Asia) |
MU0006 |
||||
MUSC 0042 Diaspora Music in the Americas |
MU0007 |
(new World Music Cultures course) |
|||
MUSC 0050 Masters of Music |
MU0030 |
||||
MUSC 0051 Mozart |
MU0030 S01 |
||||
MUSC 0052 Beethoven |
MU0030 S01 |
||||
MUSC 0059 Jazz Masters |
MU0039 |
||||
MUSC 0060 Bluegrass, Country & Old Time Music |
MU0008 |
||||
MUSC 0061 Blues |
MU0009 |
||||
MUSC 0062 Musical Youth Cultures |
MU0010 |
( new course in 8,9 10 series) |
|||
MUSC 0071 Opera |
MU0037 |
||||
MUSC 0075 Jazz and American Culture |
MU0095 |
||||
MUSC 0120 Words About Music: Discovering Music Through Writing |
MU0012 |
||||
MUSC 0200 Computers and Music |
MU0011 |
||||
MUSC 0210 Topics in Electronic Music & Multimedia |
MU0086/0082 |
||||
MUSC 0220, 21 Electroacoustic Improv Ensemble |
MU0081, 82 |
||||
MUSC 0400 Intro to Music Theory |
MU0040 |
||||
MUSC 0500 Thinking About Music |
MU0050 |
||||
MUSC 0550 Theory of Tonal Music I |
MU0055 |
||||
MUSC 0560 Theory of Tonal Music II |
MU0056 |
||||
MUSC 0600, 01 Chorus (Fall, Spring) |
MU0061,62 |
||||
MUSC 0610, 11 Orchestra |
MU0063,64 |
||||
MUSC 0620, 21 Wind Symphony |
MU0065,66 |
||||
MUSC 0630, 31 Jazz Band |
MU0075,76 |
||||
MUSC 0640, 41 Ghanaian Drumming |
MU0067,68 |
||||
MUSC 0650, 51 Javanese Gamelan |
MU0068,69 |
||||
MUSC 0660, 61 Sacred Harp |
( new ensemble) |
||||
MUSC 0670, 81 Old Time String Band |
MU0057,58 |
||||
MUSC 0675, 76 Jazz Combos |
NEW COURSE - not yet proposed |
||||
MUSC 0680, 81 Chamber Music Performance |
MU0059,60 |
||||
MUSC 0810 Applied Music Program |
0071 |
plus section numbers for instruments |
|||
MUSC 0820 Applied Music Program |
0072 |
plus section numbers for instruments |
|||
MUSC 0830 Applied Music Program |
0073 |
plus section numbers for instruments |
|||
MUSC 0840 Applied Music Program |
0074 |
plus section numbers for instruments |
|||
MUSC 0910 Medieval and Renaissance Music |
MU0091 |
||||
MUSC 0920 Baroque and Classic Music |
MU0092 |
||||
MUSC 0930 Romantic and Modern Music |
MU0093 |
||||
MUSC 1010 Advanced Musicianship I |
MU0101 |
||||
MUSC 1011 Advanced Musicianship II |
MU0102 |
||||
MUSC 1020 Modal Counterpoint |
MU0103 |
||||
MUSC 1030 Tonal Counterpoint |
MU0104 |
||||
MUSC 1040 Advanced Music Theory I |
MU0107 |
||||
MUSC 1050 Advanced Music Theory II |
MU0108 |
||||
MUSC 1060 Analysis & Performance |
MU0109 |
||||
MUSC 1070 Music After 1945 |
MU0110 |
||||
MUSC 1100 Introduction to Composition |
MU0141 |
||||
MUSC 1110 Seminar in Composition |
MU0142 |
||||
MUSC 1120 Technique of Orchestration |
MU0143 |
||||
MUSC 1130 Jazz Composition & Arranging |
MU0145 |
||||
MUSC 1200 Seminar in Electronic Music: Recording Studio as Compositional Tool |
MU0181 |
||||
MUSC 1210 Seminar in Electronic Music: Real-Time Systems |
MU0182 |
||||
MUSC 1220 Interactive Installation |
MU0186 S01 |
||||
MUSC 1240 Topics in New Media Theory & Composition |
MU0184 |
||||
MUSC 1500 Major Masters and Repertoires of Music |
MU0130 |
||||
MUSC 1600 Music and Critical Theory |
MU0131 |
||||
MUSC 1610 Writing About Music |
MU0132 S01 |
||||
MUSC 1620 Seminar in American Music |
MU0133 S01 |
||||
MUSC 1622 American Musical Theater |
MU0134 S01 |
||||
MUSC 1630 Seminar in Music and Theatre |
MU0134 S01 |
||||
MUSC 1640 Seminar in Opera Studies |
MU0135 |
||||
MUSC 1650 Adorno Goes to the Opera |
MU0137 S01 |
||||
MUSC 1660 Seminar in Classic & Romantic Music |
MU0137 |
||||
MUSC 1661 Death and Dying |
MU0137 S01 |
||||
MUSC 1670 Seminar in 20th-Century Music |
MU0138 |
||||
MUSC 1671 Great Conductors |
MU0138 S01 |
||||
MUSC 1672 Hitler’s Gift |
MU0138 S01 |
||||
MUSC 1673 Interpreting Debussy |
MU0138 S01 |
||||
MUSC 1690 Seminar in Jazz Studies |
MU0119 |
||||
MUSC 1700 Score Reading and Conducting |
MU0144 S01 |
||||
MUSC 1710 Choral Conducting |
MU0144 S01 |
||||
MUSC 1720 Topics in Conducting |
MU0144 |
||||
MUSC 1810 Advanced Applied Music |
0171 |
plus section numbers for instruments |
|||
MUSC 1820 Advanced Applied Music |
0172 |
plus section numbers for instruments |
|||
MUSC 1830 Advanced Applied Music |
0173 |
plus section numbers for instruments |
|||
MUSC 1840 Advanced Applied Music |
0174 |
plus section numbers for instruments |
|||
MUSC 1900 Introduction to Ethnomusicology |
MU0120 |
||||
MUSC 1905 Studies in Ethnomusicology |
MU0123 |
||||
MUSC 1910 Music and Mind |
MU0123 S01 |
||||
MUSC 1920 Music & Modern Life |
MU0126 |
||||
MUSC 1930 Music of Indonesia |
MU0169 |
||||
MUSC 1931 Music of Ireland |
MU0123 S01 |
||||
MUSC 1932 American Roots Music |
MU0129 |
||||
MUSC 1933 Music of India |
MU0127 |
||||
MUSC 1940 Applied Ethnomusicology |
MU0123 S01 |
||||
MUSC 1950 Jazz Transcription & Analysis |
MU0125 |
||||
MUSC 1960 Advanced Ghanaian Drumming |
MU0167 |
||||
MUSC 1961 Advanced Ghanaian Drumming |
MU0168 |
||||
MUSC 1970 Individual Independent Study |
MU0191, 192 |
||||
MUSC 1980 Group Independent Study |
NEW COURSE - not yet proposed |
||||
MUSC 1990 Senior Thesis |
NEW COURSE - not yet proposed |
||||
MUSC 2000 History of Ethnomusicological Thought |
MU0221 |
||||
MUSC 2010 Field Research in Ethnomusicology |
MU0222 |
||||
MUSC 2020 Interpretation in Ethnomusicology |
MU0223 |
||||
MUSC 2030 Modernizing Traditional Music |
MU0225 S01 |
||||
MUSC 2040 Current Directions in Ethnomusicology |
MU0226 S01 |
||||
MUSC 2050 Musical Thinking |
MU0225 S01 |
||||
MUSC 2060 Musical Efficacy |
MU0225 S01 |
||||
MUSC 2070 Music and Identity |
MU 0226 S01 |
||||
MUSC 2080 Seminar in Ethnomusicology |
MU 0225 |
||||
MUSC 2090 Seminar in Ethnomusicology |
MU 0226 |
||||
MUSC 2100 Seminar in Music Theory |
MU0228 |
||||
MUSC 2200 Composition Seminar |
MU0280 |
||||
MUSC 2210 Digital Performance |
MU0286 S01 |
||||
MUSC 2220 Instrumentalities: Designing & Playing Alternate Controllers |
MU0282 |
||||
MUSC 2230 Composing for Real-Time Systems |
MU0286 |
||||
MUSC 2240 Improvising with Real-Time Systems |
MU0286 |
||||
MUSC 2250 Timbre as Form and Process |
MU0287 |
||||
MUSC 2260 Topics in Computer Music Theory & Analysis |
MU0287 |
||||
MUSC 2270 Topics in Digital Media Research & Production |
MU0286 |
||||
MUSC 2280 Designing Large-Scale Projects |
MU0288 |
||||
MUSC 2300 Seminar in Music and Culture |
MU0230 |
||||
MUSC 2600 Adorno’s Writings on Music |
MU0229 S01 |
||||
MUSC 2610 The Interface of the Aesthetic and the Ethical in Music |
|||||
MUSC 2620 Seminar in Critical Theory |
MU0229 |
||||
MUSC 2970 Prelim Exam Prep |
MU0289 |
||||
MUSC 2980 Reading and Research |
MU0291, 292 |
||||
MUSC 2990 Thesis Preparation |
MU0299 |
||||