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| Theater Credits |
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| The Importance of Being Earnest | | Merriman | | Trinity Repertory Company | | Beth Milles |
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| The Maids | | Ensemble | | Brown/Trinity Rep Consortium | | Mia Rovegno |
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| Mo'Reece and the Girls | | Server 3 | | Brown New Play Festival | | Christopher Windom |
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| Full Circle | | Helmut | | Brown/Trinity Rep Consortium | | Jesse Geiger |
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| Mad Forest | | Ianos/Translator | | Brown/Trinity Rep Consortium | | Heath Cullens |
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| Our Country's Good | | Wisehammer/Collins | | Brown/Trinity Rep Consortium | | Christopher Windom |
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| Blood Wedding | | Father | | Brown/Trinity Rep Consortium | | Stephen Buescher |
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| Camino Real | | Ensemble | | Brown/Trinity Rep Consortium | | Liesl Tommy |
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| Jack's Choice | | The Interrogator | | Ensemble Studio Theatre | | Jocelyn Szabo |
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| The Mail Play | | Masterson | | Looking Glass Theatre | | |
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| Are You My Mother? | | Dog | | ArtsPower | | |
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| The Scarlet Letter | | Sexton | | Wings Theatre | | |
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| The Typist's Nightmare | | Mike | | Cityworks Theatre Company | | |
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| Angels in America Part I | | Joe | | Cattaraugus Living Arts | | |
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| Film Credits |
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| Monday-Thursday-Monday | | The Guy | | Oberlin College | | |