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| Theater Credits |
| DIRECTING | | | | | | |
| IN THE NEXT ROOM or the vibrator play | | by Sarah Ruhl | | Cleveland Play House | | 2012 |
| Grizzly Mama | | by George Brant | | Dobama Theatre | | 2011 |
| My Name is Asher Lev | | by Aaron Posner based on Chaim Potok novel | | Cleveland Play House | | 2011 |
| Breadcrumbs | | by Jennifer Haley | | Contemporary American Theatre Festival | | 2010 |
| The Syringa Tree | | by Pamela Gien | | Trinity Repertory Company | | 2010 |
| Shapeshifter | | by Laura Schellhardt | | Trinity Repertory Company | | 2009 |
| Some Things Are Private | | created by Deborah Salem Smith and Laura Kepley; written by Deborah Salem Smith | | Trinity Repertory Company | | 2008 |
| shop talk | | by George Brant | | Drama League DIRECTORFEST, NYC | | 2008 |
| Another Man's Son | | by Silva Semercyian | | Play Penn Festival, Philadelphia | | 2008 |
| Any Other Name | | by George Brant | | WordBridge Playwright's Lab, SC | | 2008 |
| Elephant's Graveyard | | by George Brant | | University of Texas-Austin | | 2007 |
| The Clean House | | by Sarah Ruhl | | Trinity Repertory Company | | 2007 |
| Boots on the Ground | | created by Laura Kepley & Deborah Salem Smith; written by Deborah Salem Smith | | Trinity Repertory Company | | 2006 |
| The K of D | | by Laura Schellhardt | | The Kennedy Center: New Visions, New Voices | | 2006 |
| On the Threshold | | by various | | The Public Theater | | 2005 |
| Falling Up | | by Trista Baldwin | | Perishable Theatre | | 2006 |
| The Seagull | | by Anton Chekhov | | Brown University/Trinity Rep Consortium | | 2005 |
| Those Who Can, Do | | by Brighde Mullins | | Brown/Trinity Playwrights Repertory | | 2005 |
| Aerodynamics of Accident | | by Deborah Stein | | Brown University New Play Festival | | 2004 |
| The Winter's Tale | | by William Shakespeare | | Brown University/Trinity Rep Consortium | | 2004 |
| Top Girls | | by Caryl Churchill | | Brown University/Trinity Rep Consortium | | 2003 |
| Prop THTR New Plays 2003 | | by various | | Prop THTR, Chicago | | 2003 |
| Puja at Nako | | by Maria Muller | | Philadelphia Fringe Festival | | 2003 |
| Funk Cloud: Fight the Stank! | | by Laura McKenzie | | Striding Lion, Chicago | | 2003 |
| Iphigenia and Other Daughters | | by Ellen McLaughlin | | Brown University/Trinity Rep Consortium | | 2003 |
| Shapeshifter | | by Laura Schellhardt | | Brown University New Play Festival | | 2003 |
| 4 by Guare- Talking Dog | | by John Guare | | Eclipse Theatre Company, Chicago | | 2002 |
| Feels like Makin' Love | | by Laura McKenzie | | New York Fringe Festival, Seattle Fringe Festival, Chicago | | 2001-2 |
| One Hand Clapping | | by George Brant | | Athenaum Theatre, Chicago | | 2000-1 |
| The Royal Historian of Oz | | by George Brant | | Athenaum Theatre, Chicago | | 2001 |
| waiting ON godot | | by Laura McKenzie | | Athenaum Theatre, Chicago | | 2000 |
| |
| Other Credits |
| ASSISTANT DIRECTOR | | | | | | |
| On The Town | | by Comden and Green | | Encores! NY City Center | | John Rando 2008 |
| Managing Maxine | | by Janece Shaffer | | Alliance Theatre, Atlanta | | Susan Booth 2008 |
| The Ruby Sunrise | | by Rinne Groff | | Actors Theatre of Louisville/Trinity Rep | | Oskar Eustis 2004 |
| Annie | | by Meehan/Strouse/Charnin | | Trinity Repertory Company | | Amanda Dehnert 2003 |
| RELATED EXPERIENCE | | | | | | |
| Associate Artistic Director | | Cleveland Play House | | Fall 2010-present | | |
| Interim Head MFA Directing Program | | Brown University/Trinity Rep | | 2009-2010 | | |
| Artistic Associate/Resident Director | | Trinity Repertory Company | | 2005-2010 | | |
| Guest Director | | WordBridge Playwrights Lab | | 2008 & 2009 | | |
| Teaching Faculty Member | | Brown University | | 2003-2010 | | |
| Selection Committee | | Women's Playwriting Festival | | 2005-2008 | | |
| Founding Ensemble Member | | Gestic Theatre Company, Chicago | | 1995-2002 | | |
| Dramaturg - Lillian Hellman Season | | Eclipse Theatre, Chicago | | 2000-2001 | | |
| Literary Associate | | Ensemble Theatre of Cincinnati, OH | | 1997-1998 | | |