|
Dorothy Norman is best known as the "unofficial keeper" of
Alfred Stieglitz's legacy; she recorded his thoughts, published two volumes
of testimonials about his place in American life, and wrote the definitive
biographyAlfred Stieglitz: An American Seerwhich was
published in 1973. Despite the fact that both were married when they met,
Stieglitz would become a friend, mentor, and lover, and their association
would continue until his death, in 1946. Until recently, that association
has overshadowed the facts of Norman's substantial life: her poetry and
critical writings, her dedication to the causes of civil liberties and
Indian independence, and her enormous, if relatively unknown, talents
as a photographer.
Norman's political and artistic interests were combined in Twice A
Year: A Semi-Annual Journal of Literature, the Arts and Civil Liberties,
which she founded in 1938. The first issue contained articles by Norman,
Rainer Maria Rilke, Thoreau, Malraux, Ignazio Silone, e.e. cumming, Kafka,
and Anais Nin, and photographs by Stieglitz.
Norman did not consider herself a professional photographer. She photographed
for personal reasons, making portraits of friends and loved ones from
the world of politics and the artsNehru and Indira Gandhi, Thomas
and Katie Mann, John Cage, Marcel Duchamp, Bernard Berenson, Albert Einstein,
Elia Kazan, Lewis Mumford, and Sherwood Anderson. She photographed the
places she cherishedtrees in Woods Holes, churches in Falmouth,
the New York harbor and Rockefeller Centerand the interior of An
American Place, Stieglitz's last gallery. She created an extended portrait
study of Stieglitz, as he did of her.
Norman's work is characterized by a clarity of vision, beautiful use
of light and shadow (especially in the interior studies), and masterful
printing techniques learned under the tutelage of Stieglitz and Edward
Steichen. Her small, simple printsprivate, quiet, intimatehave
drawn comparison to the poems of Emily Dickinson.
Works in the collection are from Dorothy Norman: Selected Photographs,
a portfolio of 14 images published in 1995 by Double Elephant Editions,
Ltd. The portfolio is a gift of Richard J. Hiller ('66) and Marsha Hurst
('67). |