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Max Brooks Lecture

Max Brooks, author of The Zombie Survival Guide: Complete Protection from the Living Dead and World War Z: An Oral History of the Zombie War will kick off the Zombie Film Festival with a lecture on the zombie and its place in contemporary media and pop culture.
Venue: Macmillan 117 (Thayer and George Street)
Friday October 26th at 6 PM
No ticket is required for entry.
**Books by Max Brooks will be on sale after the event, and the author will be available for book signing **

Choking Hazard

Directed by Marek Dobes
(Czech Republic, 2004)
It starts out like an old joke: a half dozen philosophy students gather at a remote motel with their eccentric professor and a Jehovah's Witness porn star! But soon, the motel will be invaded by a swarm of zombie woodsmen, and reason will be pitted against instinct in a fight for survival. The students must confront their fear, their consuming lust, and their queasy stomachs, before realizing that only a nihilistic self-interest will save them! Be forewarned: this film contains buckets full of human brains, mass zombie electrocutions, and relentless musings on the meaning of life!

Evil (To Kako)

Directed by Yorgos Nousias
(Greece, 2006)
After three construction workers uncover a forbidden and long-buried secret, a swarm of zombies overtakes 21st-century Athens! The zombies set their sights on the rest of Greece, while the few remaining humans fight to save themselves and each other. Stylish, hilarious, and really, truly gory, Evil is an honest-to-goodness splatter film with a bargain-basement budget! The zombies and humans commit unspeakable, deplorable violence — in vacant lots, ancient monuments, a disco, an all-out soccer riot — and they look great doing it!

** Contains extreme violence.

FIDO

**Providence premiere!!**
Directed by Andrew Currie
(USA, 2006)
Set in 1950s suburbia, Fido boasts a hilarious premise: What if humans were the victors in a zombie war, and now the living dead – fit with dog collars to zap their cannibal instincts – were turned into domestic slaves? When his family acquires their own rotting servant, lonely Timmy Robinson finds his new best friend in Fido. Fido is a good doggie…until he gets his collar off and starts eating the neighbors. Mom and Dad hit the roof, and Timmy has to go to the ends of the earth to keep Fido a part of the family. A boy-and-his-dog movie for grown ups, Fido will rip your heart out.

FLESH FOR FRANKENSTEIN

Directed by Paul Morrissey (USA, Italy and France, 1973)
The Frankenstein legend is rendered more horrific than ever in Paul Morrissey’s fantastic, highly stylized and colorful re-telling. A depraved Frankenstein (perversely married to his own sister) sews together corpses in hopes of reanimating a “perfect” pair of zombies who will sire a race of his making. Morrissey’s aesthetic choices complement the themes of the film, maintaining a tenuous balance of delicate restraint and fabulous excess which seem perpetually on the verge of pandemonium. The sick beauty of this film is perhaps best expressed in actor Udo Kier’s words: “To know death, you have to fuck life in the gall bladder.”
* Presented in a gorgeous new 16mm print.
** Contains scenes of nudity and extreme violence.

Graveyard Alive: a Zombie Nurse in Love

Directed by Elza Kephart
(USA, 2004)
Patsy Powers is a very serious nurse. But she falls for a patient with a mysterious problem: an axe lodged in his forehead! When this spooky stranger gives her one last love bite, she garners a barely controllable sexual charisma. Now she has the confidence to chase down the major-league hottie, Dr. Dox. The good doctor’s fiancée, Goodie Tueshuez, isn’t having any of it (and neither is the mysterious janitor, Kapotski), but so what! Patsy has become a zombie, and she doesn’t particularly care what they think. She’d rather shop for her groceries in the hospital morgue! Filmed in crisp black and white, this film knows the difference between gut-busting laughs and plain old busted guts!

I Walked with a Zombie

Directed by Jacques Tourneur
(USA, 1943)
Directed by Jacques Tourneur and produced by the great Val Lewton, this film is a study of evil in black and white. But with its striking attention to the vagaries of colonialism and sexual politics, I Walked with a Zombie also knows the strategic value of gray. This austere gothic drama is an adaptation of Jane Eyre, but set in the West Indies! And with zombies! An apparently comatose wealthy woman is tended by her sinister husband, his jealous brother, and an inquisitive nurse, who digs perhaps too deeply into the islanders’ voodoo rites and practices. This chiaroscuro classic will be screened in a 16mm studio print!

Homecoming

Directed by Joe Dante
(USA, 2005)
Can a dead soldier legally vote? Especially an, ahem, zombie soldier back from the dead to reclaim his vote? A conservative speech-writer insincerely wishes on national television for dead troops to return to testify to the value of their sacrifice for America. Little does he know that his innocent slip is about to set off a chain of ground-breaking events. Dead, young Iraq veterans begin erupting out of their graves, and they won’t rest until the president responsible for their deaths is voted out of office! This hour long made-for-TV zombie film raises a host of compelling questions about government, the legal system and freedom.
*Some sexual content and a few scenes of gore

Last Rites of the Dead

Directed by Marc Fratto
(USA, 2006)
A day in the life of the undead? In a fresh take on the zombie genre, Last Rights of the Dead takes on living death as a social problem, considering the trials and tribulations of the animated dead along with their living counterparts in ways ranging from support groups for the “mortally challenged” to living-only policies and bands of anti-zombie vigilantes. This film contains a biting sense of politics with lots of flesh-eating and non-stop, Tarantino-esque violence, taken to extremes in every case! In a unique portrayal of the undead menace, >Last Rights brings together walking corpses, terrorism, and bloody social commentary in a stylish remix of the classic zombie war played out in the “Living Dead” series.

Re-cycle

Directed by Oxide Pang Chun and Danny Pang
(Thailand & Hong Kong, 2006)
From the makers of Bangkok Dangerous and The Eye, comes a baffling tale about the limits of literary inspiration. A best-selling novelist experiments with paranormal fiction, imagining a world of zombie terrors only to find herself trapped among them. Nothing is safe, in this land where toys and books, as well as children and ancestors, all return as fierce, resentful zombies. Threatened by everything she has ever abandoned or forgotten, how will our heroine her save her career, her sanity, and her life? Re-cycle is beautifully filmed in the style of recent Hong Kong epic dramas, but it is also a starkly terrifying meditation on human memory and the living dead. On an elegant 35mm print!

Silver Heads

Directed by Vladimir Maslov & Yevgeny Yufit
(Russia, 1998)
Extra! Extra! Russian experimental film unites man and nature! Scientists struggle to fortify humanity through a rigorous melding of flesh and wood, but this is not their first attempt! Outside their secret laboratory, groups of Z-individuals roam the countryside, as anarchic side effects of previous failed experiments. When the scientists go mad from their efforts and the zombies continue to play trouserless leapfrog in the sun, who can tell zombie from human? With bizarre acuity and gritty black-and-white photography, Silver Heads asks how much pain we might endure in our attempts to improve our condition. More than that, this "Eco-Necro-Blockbuster" asks whether the pain might be the whole point!

White Zombie

Directed by Victor Halperin
(USA, 1932)
A bizarre and unlikely story quivers beneath the diaphanous gauze of fog that coats the surface of this first great zombie film. White Zombie has a little bit of everything good: a beautiful dead woman, her zealous suitor, her noble rescuer, and Bela Lugosi as the necromancer himself! As the New York Times wrote 75 years ago: “There are individuals who dig up bodies…and set them to work. They make good servants. They can carry off blondes without getting ideas in their heads, which helps in these mad days. When they have served their fell purposes, moreover, they can walk off high cliffs and out of the picture. But not the necromancers; they must be shoved over, off and out.”

Z: A Zombie Musical

Directed by John McLean
(USA, 2007)
Poor nuns! Swimming naked on a summer's day, but bitten by a zombie pug! Soon the nuns find good fellowship, beautiful music, and hot zombie love in a burg called Zomburbia. But when one nun finds that she just isn't satisfied with the daily grind of chorus lines and brain eating, this musical hits the road! With a song in her heart and a lump (of something! or someone!) in her throat, Sister Faith goes searching for something better. But of all the zombie roller skaters, zombie devil worshippers, zombie mad philosophers, and zombie Zomburban-ites she encounters, which ones will betray her? And which might free her from her terrible curse?