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My
aim is to show how the frontiers between the
various disciplinary spheres are disappearing in
the digital world. Therefore, to start with, the
basic aspects of what is known as digital art are
set out and are compared with the concepts of
Roland Barthes on the post-modern text. In this way
a relationship is established between the
discourses on Net.art and digital creation on the
Net and theoretical postulates on hypertext and
Net.literature. Next the results of this
comparative reflection are applied to a visual
experience: letting a series of online works speak,
grouped together in a particular classification, in
order to see whether or not the theoretical model
constructed is valid. Finally, I pose questions
about this experience by highlighting the
implications of the construction of new contexts in
real time in the sphere of literary and artistic
creation.
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