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www.dichtung-digital.de/Newsletter/2000/07-00engl.htm
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Sponsored by
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Newsletter JULY
'00
5/2000 (2.Jg. / Nr. 12)
- ISSN 1617-6901
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InterSzene
- Symposium on Theatrality and Orality in
Internet
supported by MIGROS-Kulturprozent
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Authors,
activists, and scholars from Switzerland,
Austria, and Germany discuss projects with, in,
and out of Internet with a special emphasis on
authorship, inscenation, and media jump.
Dichtung-digital publishes the symposium's
contribution in its July and September
newsletters.
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Gisela
Müller: SMServices
"SMServices - Text on Demand" - Inter- and
Transaction of the project group
//theatermaschine. This discusses special
projects of //theatermaschine and shows
strategies of artistic / theatrical use of
digital media, specially the Internet.
http://www.dichtung-digital.de/Interscene/Mueller
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Mike
Sandbothe: Internet and
Inszenierung
http://www.dichtung-digital.de/Interscene/Sandbote
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Beat
Suter: Scroll-Back
Beat Suter scrolls back the first day's
presentation and discussion and provides
thoughtful and critical comments.
http://www.dichtung-digital.de/Interscene/Suter
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Hermann
Rotermund: Internet rebuilds art
Hermann Rotermund describes the characteristics
of the media shift, discusses the specific
language of the net (HTML as new world language)
and to what extent Internet changes our
perception. In the second part Rotermund
introduces the projects of a multimedia cyber
opera.
http://www.dichtung-digital.de/Interscene/Rotermund
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Detlev
Clas: The Larissa-Project
Detlev Clas recalls the early Internet project
Larissa42, an interactive broadcasting
thriller by SDR and its listeners in 1995. Clas
describes the new ways of communicating and
interacting in order to produce the script
collaboratively in Internet for 'posting' it on
air and reports on the difficulties of such a
project for the coordinators.
http://www.dichtung-digital.de/Interscene/Clas
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Guido
Graf: Scroll-Back
Guido Graf argues that most of the things we
encounter today in the net have their history in
traditional media, asks how does a link
sound and insists on our not considering
technical features of New Media - as links,
multimediality, and interactivity - as a remedy
of aesthetically despair.
http://www.dichtung-digital.de/Interscene/Graf
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Roberto
Simanowski: Super-Scroll-Back
Roberto Simanowski sets out from the keywords of
the symposium's first presentation to discuss
them in a broader context. The keywords of his
little hypertext are for example: webpage as
stage, characteristics of media and media jump,
levels of authorship, typology of digital
inscenation.
http://www.dichtung-digital.de/Interscene/Simanowski
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Uwe
Wirth: Super-Scroll-Back
Uwe Wirth questions the new in hypertext
(nonlinearity, interactivity), draws
distinctions in the slogan from the "death of
the author" (death of the author, but not of the
scribent, the author's reentry as publisher),
sheds light on the psychology of chatting (ready
wit as exhibitionism), offers a typology of
performance and raises questions about
the difference between the "authentic" and
"fictive link", about the role of corporality in
hypertext and about the "performative role" of
initiators of Internet projects.
http://www.dichtung-digital.de/Interscene/Wirth
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Hyperfiction
and Interactive Narration (German)
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Abstract
of Beat Suter's thesis on hyperfiction and
interactive narration which describes starting
point, concept, and method of its
investigation.
http://www.dichtung-digital.de/2000/Suter-18-Juli
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Hypertext
2000 - Reading Room Trip Report
(English)
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Susana
Pajares Tosca introduces the hypertexts
presented in the Reading Room of the Hypertext
Conference 2000 in San Antonio /
Texas: Deena Larsen's Dancing in Your
Soul, Robert Kendall's Penetration,
Marjorie Luesebrink's Califia, Jane
Yellowlees Douglas' Uh, dad? and The
Unknown by William Gillespie, Scott Rettberg
and Dirk Stratton.
http://www.dichtung-digital.de/2000/Tosca-12-Juli
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"Dominoa"
- Text as Game as Advertisement for Text?
(German)
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Roberto
Simanowski investigates the prize winner of the
Marianne-von-Willemer-Competition for literature
by women on the Net. Whereas this project at the
first look seems to degrade text to a ball in a
card game, at the second look it seems to be a
clever temptation to read. However, at
the third look it still leaves a lot of
questions open. (>>>Abstract)
http://www.dichtung-digital.de/2000/Simanowski/11-Juli
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Forum
"Künstlerische Gestaltungsmöglichkeiten
von Hyperfiction und Hypermedia"
(German)
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The forum
"Net Communication and its results", carried out
by the International Archive for Social
History of Literature (IASL) and
dichtung-digital, has the following new
additions:
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