Robert Coover, who announced
the end of books in 1992, now complains in his essay
"Literary
Hypertext: The Passing of the Golden
Age" that digital
literature is becoming more and more like movies. Concerning
the multimedial web he states: "hypertext is now used more
to access hypermedia as enhancements for more or less linear
narratives [
] the reader is commonly obliged
now to enter the media-rich but ineluctable flow as directed
by the author or authors: In a sense, it's back to the
movies again, that most passive and
imperious of forms." Coover notes
the "constant threat of hypermedia: to suck the substance
out of a work of lettered art, reduce it to surface
spectacle."
What Coover points out is
indeed an issue of hypermedia. If the problem of
hyperfiction is to link without meaning, the problem of
hypermedia is to employ effects that only flex the technical
muscles. It is not enough to have nice images beside the
words, or sound or fancy animation. It is important that
those effects justify their existence by conveying a
message. There are hundreds of examples that fail. I will
give two that succeed.
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