www.dichtung-digital.de/2000/Simanowski/27-Feb


Index - Pref: 1 - 2 - 3 / - Def - Coll Writing - Hyperfiction - Hypermedia - Epilogue

These examples give us an idea of how the literature under discussion differs from what we normally find in books. In contrast to the aspects of traditional literature mentioned above, this literature is marked by one or more of the following features: 

  • The narrative employs words as well as images, sound and movies.
  • The text is written partly by the reader, and sometimes the reader not only plays the role of the author but of the character as well.
  • The reading process is partly determined by the author.
  • The story is presented in a non-linear way; its composition is in the hands of the reader themselves. 

All these features exist only on the web and through the web. One can not print it out, or produce it outside the digital media.  

The listed characteristics raise some serious questions, such as: What is the meaning of an image that literally moves through the text? How does one read a word that fades out or makes noise? What is the purpose behind multilinear narration? And if, for instance, the length of time a given file can remain on the screen is determined ahead of time by the author, what implications does this have for the reading process? More generally, we may pin down the following questions: 

  • What new aesthetic possibilities and temptations does this multimedia-storytelling bring with it?
  • How does this storytelling reshape the traditional author-text-reader paradigm?
  • To what extent can one still speak of it as Literature? 
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