Idea: Today, one task for scholars of
literature -- or any hermeneutic discipline open
to digital media -- may be to do what Andre
Bazin once did for cinema. Bazin asked how to
read a movie and investigated the semiotics of
film rather than just content or technique; in
doing so, he contributed to the development of
cinematic literacy. In like manner, what we need
today is the development of digital
literacy. Digital aesthetics should be
concerned with the use digital literature makes
of the specific features of digital media to
express its thoughts and feelings. How are
interactivity, intermediality, performance, and
other aspects of digital media applied to convey
a specific aesthetic message or performance?
What is a digital sign and how can it be read?
With what methods can digital literature be
approached? This conference aims to answer these
and related questions through close readings of
specific examples of digital literature.
Target:
The conference aims at participants and
attendees interested in new topics and methods
in the humanities. The conference especially
targets teachers who incorporate digital
literature and art into their courses, and
students who are attending such courses, as well
as all those who create digital literature and
art or are simply interested in understanding
this new subject.
Format:
Contributors are asked to discuss pieces with
regard to their particular strategies for the
expression of significance and affect.
Participants will be asked to read a paper of
another participant in advance and give a short
comment on it during the conference.
Co-Events:
The conference was scheduled, and is promoted,
in coordination with the
Pixilerations
festival at Brown University, which itself is
part of the FirstWorksProv-Festival in
Providence. Part of the conference will be an
exhibition with three installations of digital
literature, public screenings of digital
literature as well as writing performances of
digital literature by Brown-affiliated
authors.
Publication:
The conferences lectures and the summary
of the discussions will be published as a
special issue of the online journal
Interfictions.org
(hosted by Brown), and as a book edited by
Roberto Simanowski, Peter Gendolla, and
Jörgen Schäfer.