Below is a list of our past events. By clicking on the event you can see a list of the authors who participated and links to live recordings from the event.
David Barker has written, directed, and edited films which have shown through the world. Recent projects include Thou Wast Mild and Lovely (co-writer and editor, Berlin International Film Festival 2014), Highway (editor, Museum of Modern Art 2013), and Daylight (writer/director, New York Times Critics Pick 2011). He was the artistic director of the Cinematexas International Film Festival, an experimental film festival called 'the most inspiring and innovative film festival in the US, as well as a partner in Drift Distribution, which distributed films by artists such as Jean-Luc Godard, Isaac Julien, Laura Mulvey, and Harun Farocki. He is currently collaborating with the Australian Aboriginal arts collective Karrabing on an innovative feature film which he will co-direct, as well as co-writing films with directors from Nepal and Bulgaria to be shot in those countries in 2015.
Matt Bell's debut novel In the House upon the Dirt between the Lake and the Woods was longlisted for the Flaherty-Dunnan First Novel Prize and selected as a 2014 Michigan Notable Book. He is also the author of two previous books, How They Were Found and Cataclysm Baby, and his fiction has appeared in Best American Mystery Stories, Conjunctions, The American Reader, Gulf Coast, and many other publications. He teaches creative writing in the MFA program at Northern Michigan University.
Author of more than a dozen books of poetry and literary criticism, Susan Howe's recent collection of poems That This, published by New Directions won the Bollingen Prize in 2011. Her earlier critical study, My Emily Dickinson, was re-issued in 2007 with an introduction by Eliot Weinberger. Three CDs in collaboration with the musician/composer David Grubbs, Thiefth andSouls of the Labadie Tract, and Frolic Architecture. were released on the Blue Chopsticks label (2005; 2011). Howe held the Samuel P. Capen Chair in Poetry and the Humanities at the State University New York at Buffalo until her retirement in 2007. The recipient of a Guggenheim Fellowship, she was elected to the American Academy of Arts and Sciences in 1999 and served as a Chancellor to the Academy of American Poets between 2000-2006. In fall, 2009 she was awarded a Fellowship to the American Academy at Berlin,recently she was an Artist In Residence at the Isabella Stewart Gardner Museum in Boston. This fall her recent word collages were exhibited in a show at the Yale Union in Portland, Oregon.
Matthew Derby is a contributing author of The Silent History, the first major exploratory, interactive novel designed specifically for the iPad and iPhone. He is also the author of the short story collection Super Flat Times. His stories have been anthologized in The Anchor Book of New American Short Stories, The Apocalypse Reader, and Dzanc's Best of the Web. His writing has appeared in McSweeney's, Conjunctions, The Believer, The Columbia Journal, Fence, and Guernica. He is also a Senior Interface Designer at Harmonix, a game studio in Cambridge, Massachusetts
David Farrell Krell has published short stories in Confrontation (105/106, Winter 2009/Spring 2010) and The Oxford Literary Review (32:2, 2010). He has published three novels with the State University Press of New York Press: The Recalcitrant Art: Diotima’s Letters to Hölderlin and Related Missives, 2000; Son of Spirit, 1997; and Nietzsche: A Novel, 1996. He has completed a collection of short stories entitled Major Epitaphs, Minor Injuries, and he has written a number of stage plays and screenplays.
Joanna Ruocco is the author of Another Governess/The Least Blacksmith-A Diptych (FC2, 2012). A Compendium of Domestic Incidents (Noemi Press, 2011), Man’s Companions (Tarpaulin Sky Press, 2010), and the The Mothering Coven (Ellipsis Press, 2009). A recipient of the Pushcart Prize in 2013 and winner of the Catherine Doctorow Innovative Fiction Prize, Ruocco is also a graduate of the MFA program in Literary Arts at Brown, and a recent graduate of the Ph.D. program in creative writing at University of Denver. She co-edits Birkensnake, a fiction journal, with Brian Conn.
Rachel Levitsky is the author of a novel, The Story of My Accident is Ours (Futurepoem, 2013), two books of poetry, Under the Sun (Futurepoem, 2003) NEIGHBOR (UDP, 2009) and a number of chapbooks including Renoemos (Delete, 2010) and Dearly, (a+bend, 1999). She is a member of the Belladonna* Collaborative, a feminist avant-garde hub for interventions in writing, reading, engaged discourse and activism. In 2010, with Christian Hawkey, she started The Office of Recuperative Strategies (OoRS.net), a mobile research unit exploring writing, political life and the interactive making of objects and events--variously located in Amsterdam, Berlin, Boulder, Brooklyn, Cambridge, multiple sites in NYC (including Governors Island The Holland Tunnel), and The University of Leipszig in Leipzig. She teaches at Pratt Institute and is guest faculty at Naropa University's Summer Writing Program.
Kevin Killian, one of the original “New Narrative” writers, has written three novels, Shy (1989), Arctic Summer (1997), and Spreadeagle (2012), a book of memoirs called Bedrooms Have Windows (1990), and three books of stories, Little Men (1996), I Cry Like a Baby (2001), and Impossible Princess (2009). He has also written two books of poetry, Argento Series (2001), and Action Kylie (2008). A third will appear in February 2014—Tweaky Village, from Wonder Books. With Lew Ellingham, Killian has written often on the life and work of the American poet Jack Spicer [1925-65] and with Peter Gizzi has editedMy Vocabulary Did This To Me: The Collected Poetry of Jack Spicer (2008)—which won the American Book Award—for Wesleyan University Press. Wesleyan also brought out Killian and Ellingham’s acclaimed biography Poet Be Like God: Jack Spicer and the San Francisco Renaissance in 1998. He is also a playwright who has written forty-five plays for the San Francisco Poets Theater. He teaches writing to MFA students at California College of the Arts in San Francisco.
Peter Richards is the recipient of a Massachusetts Cultural Council Grant in Poetry, an Iowa Arts Fellowship, an Academy of American Poets Prize, and the John Logan Award. His poems have appeared in Agni, Colorado Review, Denver Quarterly, Fence, The Yale Review, and other journals. He is the author of OUBLIETTE (Verse Press/Wave Books, 2001), which won the Massachusetts Center for the Book Honors Award; NUDE SIREN (Verse Press/Wave Books, 2003); and HELSINKI (Action Books, 2011). He has taught poetry at the University of Montana(Richard Hugo Visiting Poet) Harvard University (Briggs-Copeland Lecturer), Tufts University, Museum School of Fine Arts, and Brown University.