As part of the university’s 250th anniversary, a group of Public Humanities students, faculty, and collaborators are giving new life to a piece of Brown’s history. Christened ‘The Jenks Society for Lost Museums’, the group is tracking down remaining objects, remaking specimens, and researching the Jenks Museum of Natural History and Anthropology’s history.
This June, shortly after I graduated, I traveled with American Dance Legacy Initiative (ADLI) to West Palm Beach, Florida to take part in a week-long project studying the works of jazz choreographer Danny Buraczeski. The process gave me a valuable chance to reflect – not only on what business I, an administratively-inclined grad student, had in a jazz dance workshop ten years after my last, never-very-proficient ballet class – but on my work with ADLI and the Center for Public Humanities.
Items discussed:The Public, The Internet, Mapping in general, Mapping Arts Project, research vs. museum and display, Miami, Cuba, themes of migration in contemporary art, African Diaspora, Lose your Mother (Saidiya Hartman), Cuban Coffee, failure at making Cuban Coffee, openness to opportunity, excitement for the year to come.
Have you ever been to the theatre and had a really inspiring experience? You saw a really interesting piece of political theatre and came out burning to talk to your friends about it. You go for a drink and end up banging the table in frustration that you can't do anything about issues in the play. Sure, the play got you feeling engaged and motivated, but so what?
This summer, in something of a role reversal, I’ve been a student, and have been watching my students work as professionals, keeping an eye on their summer practicums. It’s been interesting, and a bit disconcerting, and I think I’ve learned something from it – in addition to what I’ve learned in my course. It made me think hard about the difference between being a student, and working at a job.
“Draw a circle around yourself. Don’t step out and don’t let anyone or anything in.” This advice greeted me when I arrived for orientation to my PhD program in history. Offered by one of the most senior professors in the department, these words were intended to help the arriving cohort successfully navigate the demands of graduate study. Our priority for the next several years, we quickly learned, must be our individual mastery of scholarship in our fields; if we prevailed and became faculty members, as intended, this separation from the cares of the world shou