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Joukowsky Institute for Archaeology

 

 

Joukowsky Institute for Archaeology & the Ancient World
Brown University
Box 1837 / 60 George Street
Providence, RI 02912
Telephone: (401) 863-3188
Fax: (401) 863-9423
[email protected]

An essential and principal element in both the natural and architectural world. Alexander Voloshinov defines it artistically as "a unification of the well-known laws of beauty" Commonly defined as being a precise correspondence of shapes or forms on the same plane, Voloshinov simply accepts that if harmony exists then symmetry is evident. For example, the Arch of Titus, as an arch shape itself is symmetrical but the elements that make up the detailing of the arch: the columns, the dentils, the architrave all work together in creating a sense of well-being or this 'harmony' that Voloshinov describes.

--Asia Del Bonis

Correspondence and proportion are two main elements of symmetry, but balance may be the most appropriate word. Geometric symmetry refers to precise reflection of shape and size, but within architecture and art, the concept of being aesthetically pleasing is the more broad definition. Symmetry can help to make a structure feel cohesive and helps to inspire a sense of beauty and calm in the viewer.

--Brooke Dalury

“Symmetry” is a term used since the 17th century to describe the reflecting correspondence of points in a plane, or parts of a body, with respect to a common axis. Since the human body is normally bilaterally symmetrical, this relation is deeply and complexly anthropomorphic. The bilateral symmetry of the organization of bodies also provides the conditions for the characteristic upright movement, and the aesthetic and metaphorical values of ‘balance’ surrounding bilateral symmetry are no doubt rooted in the primary anthropomorphism of the relation. (Oxford Art Online)

--Samantha Beik