Sep2712:00pm - 1:30pm190 Hope Street
“Italian Innovators: The Adventure of Academic Podcasting.” Luca Cottini, Associate Professor of Italian Studies, Villanova University.
Abstract: Italian Innovators is an academic podcast, presenting figures of great modern Italians in the fields of music, design, fashion, education, and technology. The podcast, based on Dr. Cottini’s volume The Art of Objects (UTP 2018), aims at elaborating a new sort of academic discourse, open to a more general audience, and aimed at connecting the spheres of industry and culture. The talk will present some of the contents of the show and will examine the advantages and challenges of converting an academic book into a podcast format.
Oct412:00pm - 1:30pm190 Hope Street
Abstract: The analysis of the documents in the Archive of Giovanni Battista Giorgini (Forte dei Marmi, 1898 - Florence, 1971) offers unprecedented research opportunities related to the development of artistic craftsmanship and the importance of trade in international relations during the twentieth century. The scion of an ancient and aristocratic family from Lucca, Giorgini was the first to perceive the economic value of Italian craftsmanship on the international market, especially in the US. Between 1944 and 1946, he managed a Gift Shop for the Allied troops in the centre of Florence. In 1947 the Museum of Modern Art in Chicago hosted an exhibition he curated. Entitled Italy at work, it showcased the best of Italian craftsmanship (glass, ceramics, textiles, leather). On February 12th, 1951, Giorgini organized in Florence the First Italian High Fashion Show for American buyers. The second edition of the show, in July 1951, marked the decisive consecration of Italian fashion in the US.
Oct1112:00pm - 1:30pm190 Hope Street
“Dante and the Cinema.”
Massimo Ciavolella, Professor of Italian and Comparative Literature, Director of the Center of Medieval and Renaissance Studies, UCLA.
Abstract: Dante’s fortune in cinematic adaptations goes back to the early years of the “sixth art” (later to become the seventh) as Ricciotto Canudo baptized the cinema, in 1911, the same year in which the first blockbuster adaptation of L’Inferno was released. Ciavolella will provide an excursus on this long history, until a recent darkly satirical retelling of the Inferno for hand-drawn paper puppets and miniature sets by director Sean Meredith (2008).
Nov112:00pm - 1:30pm
Italian St. Colloquium: “From Words to Covers: Metamorphoses of Italian Fiction in America (1945-1965).”190 Hope Street
“From Words to Covers: Metamorphoses of Italian Fiction in America (1945-1965).” Giulia Pellizzato (Visiting Scholar in Italian Studies, Brown University).
Abstract: The years following World War Two saw an unprecedented growth in translations from Italian into English, half of which were published in America. Some books met resounding success, and even came to epitomize Italy, as the case of The little world of Don Camillo shows. While venturing into their new cultural context, literary works went through different sorts of alteration, involving the text, its exterior appearance, and its meaning. This presentation will focus on the interaction between these three levels, in relation to the coeval horizon of expectations of the general public in the United States.
Nov2212:00pm - 1:30pm
Italian St. Colloquium: “Have Fairy Tales Always Been Posthuman? Italian Fairy Tales, From Metamorphosis to Cybernetics.”190 Hope Street
“Have Fairy Tales Always Been Posthuman? Italian Fairy Tales, From Metamorphosis to Cybernetics.” Pablo a Marca (Doctoral student in Italian Studies, Brown University).
Abstract: In fairy tales, metamorphosis is a common trope that can entail the transformation of humans into animals and vice-versa, thus questioning the ontological categorization of the two. In recent times, posthumanism has started to reflect on this differentiation, showing how the boundaries between humans and animals are blurred, therefore advancing a type of thinking that can be described as post-anthropocentric. This paper compares metamorphosis with cybernetics in Italo Calvino’s “Body-without-Soul,” and argues that magic in this fairy tale can be seen as a way of already imagining a post-anthropocentric world.