Massimo Riva was educated in Italy (Laurea in Filosofia, University of Florence, 1979) and the United States (Ph.D. in Italian literature, Rutgers University, 1986). His teaching ranges from Boccaccio's Decameron to modern and contemporary literature, film, media and the digital humanities. He has held visiting positions at the University of Bologna, the Universidad Nacional Autonoma de Mexico, the University of London, the École des Hautes Études in Paris, and the University of Sydney, Australia. In recognition of his research-based teaching, he was nominated Royce Family Professor of Teaching Excellence. His awards and honors also include the Order of Merit of the Italian Republic (with the rank of Ufficiale) for his contribution to the dissemination of Italian culture in North America. He has published several books on literary maladies and national identity, post-humanism and the hyper-novel, and literature in the digital age. He is the editor of the Yale anthology Italian Tales and the co-editor of the Cambridge edition of Pico della Mirandola's Oration On Human Dignity. He was the recipient of three major grants from the National Endowment for the Humanities and a Digital Innovation Fellowship from the American Council of Learned Society, in support of various digital projects, now part of the Virtual Humanities Lab. Among his recent collaborative initiatives, a series of interactive installations of the Garibaldi moving panorama were featured in library and museums in Brazil, Italy and the U.K. He is currently completing a digital monograph entitled: Shadow Plays: Virtual Realities in an Analog World, a project of the Brown Digital Publications Initiative funded by a grant of the Andrew W. Mellon Foundation, to be published in spring 2022 by Stanford University Press.