Below is a list of our past events. By clicking on the event you can see a list of the authors who participated and links to live recordings from the event.
Jason Schwartz is the author of A German Picturesque (Alfred A. Knopf, 1998; Pharos Editions, 2015) and John the Posthumous (OR Books, 2013). His work has appeared in American Letters & Commentary, The American Reader, The Antioch Review, Conjunctions, New York Tyrant, Salt Hill, StoryQuarterly, Unsaid, and other publications.
Azareen VAn der Vliet Oloomi is an Iranian-American writer of fiction and non-fiction, and the author of the novel Fra Keeler. Her fiction and essays have appeared in publications including BOMB, The American Reader, Denver Quarterly, &Now Awards II: The Best Innovative Writing, and Words Without Borders. She grew up in Iran, the United States, Spain and the United Arab Emirates. She received her MFA in Fiction from Brown University. A former recipient of the Fulbright Grant, she currently teaches in the MFA Program in Creative Writing at the University of Notre Dame.
Sandra Doller is the author of four books: Oriflamme (Ahsahta Press, 2005), Chora (Ahsahta Press, 2010), Man Years (Subito Press, 2011), and Leave Your Body Behind(Les Figues, 2014). She has also published a collaborative book, Sonneteers (2014), with Ben Doller on Editions Eclipse, and two chapbooks, including a translation of Éric Suchère's Mystérieuse, which won the 2012 Anomalous Press translation prize. A recipient of the Paul Engle-James Michener Fellowship, the Iowa Arts Fellowship, and two individual state artist awards, Doller completed her MA at University of Chicago and her MFA at the Iowa Writers’ Workshop. She has taught graduates and undergraduates at Hollins, Boise State, and Cornell College, and is currently Associate Professor of Literature & Writing Studies at California State University-San Marcos. The founder & editrice of 1913 Press and 1913: a journal of forms, Doller lives in San Diego.
Neo-Benshi film work films redubbed by members of the extended Literary Arts Community and curated by Konrad Steiner.
Since 1981 filmmaker Konrad Steiner has made short non-narrative films in the American experimental tradition of unipersonal production, winning awards and screening in festivals worldwide. His primary interest is to use the moving image as a medium for compositions and performances using language, sound and cinematography.
In the last five years his work has increasingly involved cinema collaborations with musicians (SF Bay Area composers Jon Raskin of ROVA Saxophone Quartet, Matt Ingalls of SFSound new music ensemble, and band-leaders Graham Connah and Lisa Mezzacappa) and poets (Leslie Scalapino, Steve Benson, Brent Cunningham, Carla Harryman and Jen Hofer). The feature-length poetry film “way” is one result of these collaborative efforts.
In a longer term project since 2003 he has worked with dozens of writers from San Francisco and Los Angeles to Portland, Chicago, Detroit, Buffalo and New York to produce shows dedicated to the renewed interest in adapting the tradition of live movie narration, dubbed "neo-benshi" (an homage to the “benshi,” the Japanese term for film narrator "pyonsa" in Korean, "Filmerzähler" in German), an art which was brought to its apex in Japan, Korea and other East Asian nations during the silent film era.
Examples of his work can be seen at http://canyoncinema.com/catalog/filmmaker/?i=297
Mitchell S. Jackson is a Portland, Oregon native who lives in Brooklyn, New York. He received an M.A. in writing from Portland State University and an M.F.A in Creative Writing from New York University. He has been the recipient of fellowships from Urban Artist Initiative and The Center For Fiction. Jackson teaches writing at New York University. Jackson’s novel The Residue Years was released in the summer of 2013 and was praised by publications including The New York Times, The Times of London, and The Paris Review. The novel was a finalist for the Center For Fiction’s Flaherty-Dunnan First novel prize and the PEN/ Hemingway award for first fiction, was named a nominee for The Hurston / Wright Legacy Award for fiction. It was long-listed for the William Saroyan International Prize for writing and the Chautauqua Prize and as well named an “Honor Book” by the BCALA.
Thalia Field's work lives at the crossroads of prose, essay, poetry, even theater. Her collections include Point and Line; Bird Lovers, Backyard; A Prank of Georges; Ululu (Clown Schrapnel); and Incarnate: Story Material.
Additionally, Thalia has collaborated on performance work, including Melt, Rest/Less and Zoologic. Her work has appeared in numerous journals including Theater, Ploughshares, Chicago Review, Tin House, Fence, Angelaki, and Conjunctions, where she guest-edited issue #28 on experimental music-theater scores.
Suzanne Doppelt is a writer and photographer, and her many publications merge the two fields. Her most recent books include Quelque chose cloche (P.O.L 2004,), Le pré est vénéneux (P.O.L 2007)Lazy Suzie (P.O.L 2009) and La plus grand aberration (P.O.L 2012). Three of her books have been translated into English, Ring Rang Wrong (Burning Deck, 2006), The Field is Lethal (Counterpath Press, 2011) and Lazy Suzie (Litmus Press, 2014). Doppelt’s photographs have been shown in a variety of venues, including the Centre Pompidou in Paris, l’Institut français in Naples, New York University, and now here at Brown. She edits the “Rayon des curiosités” series for the publisher Bayard and is on the editorial board of the arts review Vacarme.
Daniel Tiffany is the author of a chapbook and nine volumes of poetry and literary criticism, including, most recently, My Silver Planet: A Secret History of Poetry and Kitsch (Johns Hopkins 2014), which was nominated for the Pegasus Award in Poetry Criticism, and Neptune Park (Omnidawn 2013), selected by the Poetry Foundation, The Volta, and Verse as one of the best poetry collections of 2013. Previous books of poetry includePrivado (Action Books, 2010), The Dandelion Clock (Tinfish Press, 2010), and Puppet Wardrobe (Parlor Press, 2006). His poems have appeared in the Paris Review, Poetry, Tin House, Boston Review, Fence, Jubilat, Lana Turner, and New American Writing. Tiffany has also published translations of texts by Sophocles and the Italian poet Cesare Pavese, as well as Georges Bataille’s pornographic tale, Madame Edwarda. He is professor of English and comparative literature at the University of Southern California in Los Angeles and has been awarded a Whiting Fellowship, the Chicago Review Poetry Prize and the Berlin Prize in 2012 by the American Academy in Berlin.