Please visit Brown's online course catalog for a complete listing of all classes offered.
Fall 2021
| CoURSE number | Course title | Instructor |
|---|---|---|
| MCM0150 | Text/Media/Culture: Theories of Modern Culture and Media | A. Azoulay/B. Honig |
| MCM0700D | Introduction to Film Preservation and Restoration | R. Longo |
| MCM0710A | Introduction to Filmic Practice: Time and Form | J. Montgomery |
| MCM0750E | Listening Beyond the Browserscape | M. Armstrong |
| MCM0780A | Soundtracks: Sound Production and Visual Media | A. Cokes |
| MCM0800S | Film after Film: An Introduction to Digital Cinema | M. Ellis |
| MCM0902P | Digital Media on Trial | J. Huggins |
| MCM0902S | Celluloid Deaths | E. Garcia |
| MCM1204J | A New Black Gaze | T. Campt |
| MCM1204Y | Star Studies and Golden Age Hollywood | L. Joyrich |
| MCM1506X | Love Hurts: Romance, Media, Masochism | V. Fitzpatrick |
| MCM1700F | Theory for Practice / Practice as Theory | A. Cokes |
| MCM1701G | Text in Time-based Art | J. Montgomery |
| MCM1701I | Digital Worlding: Terraforming Future, Fact, Fiction and Fabulation | M. Armstrong |
| MCM1701R | Script, Cut, Repeat, Break: Critical Theory, Black Feminist Thought, Time-based Art | R. Schneider |
| MCM1701S | Anti-Social Reproduction: Art, Activism and the Question of Reproductive Labor | A. Austin |
| MCM2310H | Television Realities | L. Joyrich |
| EAST1270/MCM1202D | China Through the Lens: History, Cinema, and Critical Discourse | L. Wang (crosslisted) |
| ENGL0151A/MCM0800T | Hitchcock! | S. Burrows (crosslisted) |
| COLT1440U/MCM1506V |
The Listener: Literature, Theory, Film | P. Szendy (crosslisted) |
| HMAN2401E/MCM2110 | Retouch: The Imaginaries of Repair (Crosslisted) |
A. Azoulay (crosslisetd) |
| ITAL1030B/MCM1203O | Modernity, Italian Style | M. Riva (crosslisted) |
| LITR1010H/MCM1701T | Advanced Digital and Cross-Displinary Language Arts | J. Cayley (crosslisted) |
Spring 2022
| COURSE NUMBER | COURSE TITLE | INSTRUCTOR |
|---|---|---|
| MCM0230 | Digital Media | J. Li |
| MCM0240 | Television Studies | L. Joyrich |
| MCM0710A | Introduction to Filmic Practice | J. Montgomery |
| MCM0750A | Art in Digital Culture | M. Armstrong |
| MCM0800R | Transnational East Asian Cinemas: Local Ghosts, Global Monsters | J. Li |
| MCM0902U | Inventing Spaces: Theories of Spaces as Cultural Creations | K. Merritte |
| MCM0902V | Imperial Visions/Decolonial Practices: From Palestine to Turtle Island | S. Razek |
| MCM1205A | What We Talk About When We Talk About Horror (pending CCC approval) | V. Fitzpatrick |
| MCM1205B | Screening Capital | M. Ellis |
| MCM1506O | Technologies of/and the Body - Mediated Visions | G. Koch |
| MCM1504R | Iranian Cinema | J. Copjec |
| MCM1700D | Reframing Documentary Production: Concepts and Questions | A. Cokes |
| MCM1701E | Experimental Narrative | J. Montgomery |
| MCM1701I | Digital Worlding: Terraforming Future, Fact, Fiction, and Fabulation | M. Armstrong |
| MCM2120O | Concepts of Technology and Media | G. Koch |
| ENGL1901L/MCM1506Y | Corenberg/Lynch | R. Rambuss (crosslisted) |
| ENGL2900X/MCM2100A | Postcolonial Theory | L. Ghandi (crosslisted) |
| FREN1150G/MCM1203S | New Wave Cinema From Paris to Hollywood | D. Wills (crosslisted) |
| ITAL0701/MCM0902W | Simulating Reality: The (Curious) History and Science of Immersive Experiences | M. Riva (cross listed) |
| POLS2285/MCM2110Z | Language and Politics | B. Honig (crosslisted) |