Please visit Brown's online course catalog for a complete listing of all classes offered.
Fall + Spring 2017-2018 click here
Fall 2017 courses only click here
Fall 2017
| Code |
Title |
Instructor |
| MCM0230 |
Digital Media
|
TBD |
| MCM0240 |
Television Studies |
L. Joyrich |
MCM0710
|
Introduction to Filmic Practice: Time and Form
|
J. Montgomery |
MCM0730
|
Introduction to Video Production: Critical Strategies and Histories
|
A. Cokes |
| MCM0902D |
The Visual Culture of Suffering |
J. Johnson |
| MCM0902C |
Digital Media in the Time of Ecological Crisis |
T. Pringle |
| MCM1202N |
Performance Theory and World Theatre History: Paleolithic to Medieval
|
R. Schneider (cross-listed) |
| MCM1203S |
New Waves From Paris to Hollywood |
D. Wills
(cross- listed) |
| MCM1203U |
East Asian Cinemas in a Global Frame |
H. Chen |
| MCM1503D |
W.G. Sebald and Some Interlocutors
|
T. Bewes (cross-listed) |
| MCM1504I |
Image, Music, Text |
S. Burrows (cross-listed) |
| MCM1504Q |
Reading Narrative Theory |
E. Rooney (cross-listed) |
| MCM1505C |
Cinema's Bodies |
G. Koch (cross-listed) |
| MCM1505H |
Kubrick’s Work: A study of his Feature Films, Documentaries, and Photography
|
R. Rambuss (cross-listed) |
| MCM1505I |
Writing and the Ruins of Empire |
W. Keach (cross-listed) |
| MCM1504R |
Iranian Cinema |
J. Copjec |
| MCM1505K |
Blackness and the Cinematic |
K. Keeling |
| MCM1700D |
Reframing Documentary Production: Concepts and Questions |
A. Cokes |
| MCM1701E |
Experimental Narrative |
J. Montgomery |
| MCM2100R |
Potential History of Photography: Collaboration
|
A. Azoulay |
| MCM2100T |
Caring for the Truth |
A. Ophir (cross-listed) |
| MCM2110Q |
Ultimate Dialogicality: Thinking With Bakhtin
|
T. Bewes (cross-listed) |
| MCM2120J |
Realism - Concepts, Forms and Styles |
G. Koch |
| MCM2120K |
Deleuze and Cinema |
K. Keeling |
| MCM2510H |
Not With The Master’s Tools: Freedom, Enslavement, Emancipation, and Reparations
|
A. Azoulay (cross-listed) |
Spring 2018
| CODE |
TITLE |
INSTRUCTOR |
| MCM0150 |
Text/Media/Culture: Theories of Modern Culture and Media |
B. Honig + A. Azoulay |
MCM0710
application |
Introduction to Filmmaking: Time and form |
L. Thornton |
|
MCM075C
|
Soft Machines |
K. Dobson |
MCM0780
|
Soundtracks: Sound Production and Visual Media |
A. Cokes |
| MCM0901U |
What is Colonialism? - Archives, Texts and Images
|
A. Azoulay (cross-listed) |
| MCM0902E |
Ultimate Dialogicality: Thinking With Bakhtin
|
G. Jung |
| MCM0902F |
Post Cinema? Histories and Politics in the “Digital Revolution”
|
M. Ellis |
| MCM1202D |
China Through the Lens: History, Cinema, and Critical Discourse |
L. Wang (cross-listed) |
| MCM1203F |
Aesthetics of Political Cinema: From Montage to Political Modernism
|
P. Rosen |
| MCM1503E |
Aesthetic Theory/Cultural Studies |
E. Rooney |
| MCM1504G |
Chinese Women, Gender and Feminism from Historical and Transnational Perspectives
|
L. Wang (cross-listed) |
| MCM1504H |
Panorama and the 19th-Century Visual Culture |
M. Riva (cross-listed) |
| MCM1505J |
Oppositional Cinemas |
H. Chen |
|
MCM1700Z
applicaiton
|
What is Happening to Narrative? |
L. Thornton |
| MCM1701F |
Machine Lab |
K. Dobson |
| MCM2100B |
Culture and Criticism in Marxisty Theory |
P. Rosen |
| MCM2110P |
Genres of Critique |
E. Rooney (cross-listed) |
| MCM2310H |
Television Realities |
L. Joyrich |
| MCM2310M |
Politics and Literature |
Honig + Anderson |
| MCM2310N |
Photographic Memory |
S. Burrows (cross-listed) |
