Saxophonist and composer Ingrid Laubrock joins Professor Anthony Cheung as a guest speaker for Cheung’s course, MUSC 2120 The Jazz Orchestra and Orchestral Approaches to Jazz. The virtual talk is free and open to the public. Please write to Professor Cheung directly, if you would like to attend.
Guest Speaker Series
Ingrid Laubrock’s visit is part of a series of MUSC 2120 The Jazz Orchestra and Orchestral Approaches to Jazz guest talks this semester. Click here to view all upcoming MUSC 2120 talks in the series.
About Ingrid Laubrock
Originally from Germany, Ingrid Laubrock is a saxophonist/composer based in Brooklyn since 2009. Laubrock is interested in exploring the borders between musical realms and creating multi-layered, dense and often evocative sound worlds.
She has worked with Anthony Braxton, Muhal Richards Abrams, Dave Douglas, Kenny Wheeler, Jason Moran, Tim Berne, William Parker, Tom Rainey, Mary Halvorson, Kris Davis, Tyshawn Sorey, Craig Taborn, Luc Ex, Django Bates’ Human Chain, The Continuum Ensemble, Wet Ink and many others.
Laubrock’s main projects as a leader are Anti-House, Sleepthief, Ingrid Laubrock Septet and Ubatuba. Collaborations include Paradoxical Frog, Ingrid Laubrock/Tom Rainey Duo and Crump/Smythe/Laubrock. She is a member of Anthony Braxton’s Falling River Music Quartet, Nonet and 12+1tet, Tom Rainey Trio and Obbligato, Mary Halvorson Septet, Kris’ Davis Quintet, Nate Wooley’s Battle Pieces and Luc Ex’ Assemblée. She was one of the featured soloists in Anthony Braxton’s opera Trillium J.
Awards include the BBC Jazz Award for Innovation in 2004, a Fellowship in Jazz Composition by the Arts Foundation in 2006, the 2009 SWR German Radio Jazz Prize, the 2014 German Record Critics Quarterly Award, Downbeat Annual Critics Poll Rising Star Soprano Saxophone (2015) , Rising Star Tenor Saxophone (2018) and Herb Alpert/Ragdale Prize in Composition 2019.
Commissions include Jammy Dodgers for Jazz Quintet and dancers (Covent Garden Opera 2006), Nonet Music for Cheltenham Jazz Festival 2007, Octet for SWR New Jazz Meeting 2011, Echo for SZOctet (A L’Arme Festival 2015) and chamber orchestra pieces Vogelfrei (ACO/Tricentric Foundation 2014) and Contemporary Chaos Practices (moers festival 2017) and Chants II (Wet Ink 2018).
Laubrock was Improviser in Residence 2012 in the German city Moers. The post is created to introduce creative music into the city throughout the year. As part of this she led a regular improvisation ensemble and taught sound workshops in elementary schools.
Other teaching experiences include improvisation workshops at Towson University, CalArts, UC San Diego, UC Irvine, Baruch College, University of Michigan, University of Newcastle and many others.
About MUSC 2120 The Jazz Orchestra and Orchestral Approaches to Jazz
MUSC 2120 Instructor: Anthony Cheung
This course offers several views of what it means to write for the “jazz orchestra.” As the history of jazz tends to prioritize the contributions of individuals and small groups, what does it mean for composers who have ambitions that extend beyond typical expectations of instrumental forces, duration, and form? We will focus on specific examples that have challenged conventions and redefined idioms. From the innovations in orchestration and scale of the Duke Ellington Orchestra and the classic Gil Evans/Miles Davis albums, to the “progressive” experiments of Stan Kenton (and later Don Ellis), to the intergalactic theater of the Sun Ra Arkestra, to works for full symphony orchestra, we will examine complex issues of tradition, community, and race that have accompanied these collaborations, and the compatibility (or not) of musical challenges regarding improvisation, notation, and pedagogy.