Lectures
Past Lectures
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May2Recording of this talk is available here.
This public lecture by Eric Hemenway, Director of Repatriation, Archives and Records for the Little Traverse Bay Bands of Odawa Indians, explores how work in tribal archives helps to expand the historical narrative, from public schools to museums to national parks. This conversation will look at why it’s important to include Native voices in public history and the benefits it has for all.
Eric Hemenway is an Anishnaabe/Odawa from Cross Village, Michigan. His mother is tribal citizen Peggy Hemenway. Eric is the Director of Repatriation, Archives and Records for the Little Traverse Bay Bands of Odawa Indians. Eric oversees the management, collecting and preservation of historic documents and materials for the tribe. These materials are used to support LTBB government functions, its citizens and educational initiatives, such as; museum exhibits, media, curriculum, publications, historical interpretation, signage, web content and presentations. Collaborations on exhibits have included the National Park Service, state of Michigan, Mackinac State Historic Parks, Emmet County, Welt Museum Wien Vienna, Austria and the Harbor Springs History Museum, as well as other museums. Educational partnerships include: Harbor Springs Public Schools, University of Michigan, Michigan State University, Harvard, Yale and Aquinas College. Eric has also extensive work experience under the Native American Graves Protection and Repatriation Act.
He currently sits on boards for the Michigan Historical Commission, Central Michigan University Clarke Library and Little Traverse Conservancy. Eric is a former board member of the Michigan Humanities Council, Michigan Historical Society, Emmet County Historical Commission, National NAGRPA Review Committee, Harbor Springs Historical Museum and the Michigan Commission on the Commemoration of the Bicentennial of the War of 1812.
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Apr27Engage in the art of papermaking using a range of materials from organic elements to recycled scraps. In this workshop, participants will create individual sheets of paper, as well as work collaboratively on a larger-scale collage – generating new narratives and a collective work of art.RE/GENERATE is a creative humanities workshop series that engages with themes of regeneration, creation, and remix. Six participatory workshops/art-making sessions will culminate with an exhibition opening on May 12, 2023. These sessions are a space for thinkers, artists, makers, and dreamers to workshop ideas, build relationships, learn new skills, and engage in a social and creative practice. RE/GENERATE is sponsored by the John Nicholas Brown Center for the Public Humanities. Register Here - https://forms.gle/jGLmtivSJEj3vHgC9
Facilitators:
Steven Knapp - RISD MA Printmaking ’23
Nual Chindamanee - RISD MA Printmaking ’23
Viraj Mithani - RISD MA Painting ’23 -
Apr27Save the date for the final Re/Generate Workshop. Details about this workshop are coming soon.
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Apr254:00pm - 5:30pmArchival Voices | Marianna Hovhannisyan: “Double Assimilations and Empty Fields: Armenian Archival Silences”
Pembroke HallThis talk draws upon my dissertation project titled, “Double Assimilations, Empty Fields, and Orphan Objects: Mapping Armenian Erasures and Displacements Through Archival Metadata and Folk Culture” (UCSD, 2022). It critically engages with Armenian historiography as a modern example subjected to epistemic violence through forced displacement, archival silences, and cultural appropriations. I situate this in relationship to the trans-imperial fragmentations of Eastern, Western Armenians, and Armenians of Artsakh in West Asia as manifested in their historical displacements and erasures as Indigenous, refugee, national, and survivor subjects. Specifically, I argue that these fragmentations should be examined through the contemporary frameworks of archival classification and data structures to demonstrate the cultural mechanisms of erasures which constitute Armenian subjects today. Through studying the politics of archival metadata, folk, and folklore and in alliance with Black feminist studies, Indigenous studies, and Armenian studies, this project imagines new historiographies of subaltern, diasporic, transnational, and trans-indigenous epistemologies.
Dr. Marianna Hovhannisyan (Ph.D. in Art History, UCSD, 2022) is the 2022-23 Carol G. Lederer Postdoctoral Fellow at the Pembroke Center for Teaching and Research on Women, Brown University, and part of the seminar, “In the Afterlives and Aftermaths of Ruin” led by Prof. Aliyyah Abdur-Rahman. Hovhannisyan works at the intersection of postcolonial and decolonial archival and museum studies, visual culture, critical race theories, with the focus on folk studies, theories of art, artifacts, and metadata, and Armenian/West Asian studies. She is the 2019 recipient of the UC Critical Refugee Studies Collective award and often collaborates with the Center for Information as Evidence (UCLA, Department of Information Studies). As the first EU-funded Hrant Dink Foundation Fellow, she conducted original research in the American Board Archives (Turkey). This resulted in her curatorial exhibition “Empty Fields” (design concept: Fareed Armaly, 2016, SALT, Istanbul), which uncovered a museum collection dispersed due to the 1915 Armenian Genocide.
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Apr184:00pm - 5:30pmArchival Voices | Ricky Punzalan: “Reciprocity, Repatriation, and Reparation: Decolonizing Philippine Archives in the U.S”
Stephen Robert ’62 Campus CenterRecording of this talk is available here.
Ricky Punzalan, Associate Professor of Information at the University of Michigan, will speak about his work with ‘ ReConnect/ReCollect: Reparative Connections to Philippine Collections at the University of Michigan.’ He will describe the project’s reparative frameworks and practices for the University’s Philippine collections, which were acquired during the U.S. colonial period.
Ricky Punzalan holds a Ph.D. in Information as well as graduate certificates in Science, Technology, and Society (STS) and Museum Studies from the University of Michigan (UM). He earned a Bachelor of Library Science and Master of Library and Information Science (archives and museum studies concentration) from the University of the Philippines Diliman. He has previously taught on the faculty of the University of the Philippines School of Library and Information Studies (2000 to 2006) and the University of Maryland College of Information Studies (2013 to 2019). Ricky has worked on a variety of archival projects in the Philippines, which include establishing the archives of a former leprosarium and curating a museum exhibit for the centennial of its founding as a segregation facility. From 2018 to 2021 he served on the Council of the Society of American Archivists, the organization’s highest governing body. Ricky currently serves on the steering committee of the University of Michigan’s Museum Studies Program.
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Apr137:30pm - 8:30pmRE/GENERATE Workshop | Drawing the Line: Composing Lived Experience
Nightingale-Brown HouseIn this workshop, led by Alison Rollins, MFA, we will reimagine the timelines of our lives through the medium of a single-line drawing. Our drawings will then be circulated to each of the other participants who will respond to guided prompts to “read” and creatively “translate” the drawings into written words/language and then gestures and/or sounds.Sign-up is required. RSVP: https://forms.gle/K4se2tmg2uf3YwWn7
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Apr54:00pm - 5:30pmArchival Voices | Yveline Alexis: “Haitian Voices and Multilingual Sources”
Stephen Robert ’62 Campus CenterYveline Alexis, Associate Professor of Africana Studies and Comparative American Studies at Oberlin College, will speak about the importance of Caribbean archives and multilingual sources. She will explore how drawing on Haitian archives and voices significantly changes historical narratives about the Haitian resistance against U.S. imperialism.
Yveline Alexis is Associate Professor of Africana Studies and Comparative American Studies at Oberlin College. In her first book, Haiti Fights Back: The Life & Legacy of Charlemagne Péralte, she explores Haitian resistance to the U.S. occupation of Haiti from 1915 to 1934. Relying on international archives and multilingual sources, she studies the life of the politician and guerrilla fighter Charlemagne Péralte and locates Haitian women and men who also protested against U.S. imperialism in intellectual, artistic, and religious ways. For Haiti Fights Back, Professor Alexis received the 2021 Haitian Studies Association Book Prize. More broadly, her research and teaching interests include the history of the Caribbean, the Americas, and the African diaspora, memory studies, and oral history.
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Mar222:00pm - 3:30pmEarth objects: material culture/ecology/aesthetics
Institute at Brown for Environment & Society (IBES)This paper examines the intersections of material culture and ecology, arguing that the aesthetic realm acts as an important link between the two. We understand that ‘things’ are important vehicles for the transmission of cultural knowledge through time. Here I explore especially the environmental dimensions of this knowledge, suggesting that the persistence of certain things and techniques is linked to the persistence of bodies of material-ecological knowledge. Using basketry—an original and near-ubiquitous human technology—as one example, I suggest that ecological knowledge is often most effectively communicated in the aesthetic realm. In this view, the aesthetic realm is not primarily ‘decorative’ or additional to other more substantial concerns, but instead acts as a kind of code indicating essential techniques of life in particular places.
Daniel Niles is a human-environmental geographer at the Research Institute for Humanity and Nature (RIHN, Japan). His research examines how different forms of environmental knowledge are embedded in and conveyed through material culture, cultural practices and landscapes. Using agricultural heritage zones—places of special cultural and ecological value—as field sites, he is interested especially in how the environmental knowledge on which these places depend remains sensible over generations, and the relevance of these longstanding fields of knowledge and experience to the contemporary challenges of the Anthropocene. He has served as Visiting Fellow at the Max Planck Institute for the History of Science, Berlin; Visiting Researcher at the Department of Anthropology, University of California, Berkeley; consultant in agricultural heritage for the U.N. Food and Agriculture Organization, and Creative Director of Eocene Arts. Recent publications: “Le monde dans un panier” (Techniques & Culture 76 2021), “Sustainable agrifood systems for a post-growth world” (Nature Sustainability 5 2022), Anthropocene and Asia: Investigation, Critique, and Contribution from the Environmental Humanities Perspective (edited with Masahiro Terada, in Japanese, Kyoto University Press, 2021), and “The charcoal forest: sensing the agencies of nature” (in Forms of Experienced Environments, Cambridge Scholars Press, 2020).
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Mar167:30pm - 8:30pmRE/GENERATE: Didn’t It Rain Children?: Building an Audiovisual Monument to the Women, Queer and Transgender Activists of Our Past and Present.
Nightingale-Brown HouseIn her rendition of the turn of the 20th-century gospel song “Didn’t It Rain”, mother of modern music Sister Rosetta Tharpe calls out “Didn’t it rain children? Oh, didn’t it rain?” In our contemporary moment we are dealing with a flurry of socio-political attacks, the rights of women, transgender people, indigenous people, immigrants, the right to education and more are being repealed and our lives claimed to be invalid. When it rains, it pours. In this workshop, we will utilize audiovisual mediums that range from archival footage, performance, music, interviews, news reports and more to build a monument to the work of the women, transgender and non-binary activists who have fought, and continue to fight for all of our freedoms. In recycling these A/V materials we give new life, new context and new power to moments of the past in the present.
This workshop will be lead by Rai Terry (MA’22)
Registration is required. RSVP here.
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Mar27:30pm - 8:30pm
RE/GENERATE: Poetry Lost and Found: Poesía Perdida y Encontrada
Nightingale-Brown HouseIn this workshop led by Sophia Marina and Jamila Medina Ríos, we will assemble poems out of the words, phrases, and fragments of text that envelop us daily. Recorriendo ciudades, calles, muros señales del tráfico, librerías y libreros, marquesinas de cine con el dedo. Using generative strategies, poetry reflective of ourselves and our surroundings will emerge. Te invitamos a encontrarte con y en un poema. Bring your own materials: fotos, citas, el blasón de tu apellido, tu graffiti favorito, un volante del camino…
Sign-up is required (registration form is here).
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Mar15:30pm - 6:30pmAlexandra Ketchum: “Public Scholarship: Benefits, Challenges, and Strategies”
Nightingale-Brown HousePublic scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, LGBTQ+ communities, and precariously employed workers. This workshop, based on Ketchum’s book Engage in Public Scholarship provides constructive guidance on how to translate research into inclusive public outreach while ensuring that such efforts are safer and more accessible. The workshop will discuss practices and planning for a range of activities from in-person and online events, to publishing and working with the media, blogging, podcasting, cartoons, and more! This workshop will both address the key challenges and benefits of feminist and accessible public scholarship and provide toolkits for doing this important work.Since 2018, Dr. Alex Ketchum has been the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab and the organizer of Disrupting Disruptions: The Feminist and Accessible Publishing, Communications, and Tech Speaker and Workshop Series. Her work integrates food, environmental, technological, and gender history. https://www.alexketchum.ca. -
Feb16The workshop will be led by Traci Picard (MA’23) and Erica Wolencheck (MA’23)
Sign-up is required (registration form is here). Materials will be provided.
This seminar brings us together to create crocheted florals in the spirit of “free-form crochet.” Each participant will have the choice to create leaves, flowers, or any combination of fiber botanicals, which we’ll attach to an interconnected vine that unites our project into one crocheted “ecosystem.” We welcome people of all crochet experience levels to join us in creating these manifestations of Spring!
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Feb2Join RISD MDes Priyata Bosamia in a creative stamp-carving workshop. Around a community table, we will explore what happens when our individual marks come together to build a collective artwork.
This event is a part of RE/GENERATE, a bi-weekly creative humanities workshop series that engages with themes of regeneration, creation, and remix. These sessions offer space for thinkers, artists, makers, and dreamers to build relationships, learn new skills, and engage in creative practice. The series will feature 6 participatory workshops throughout the Spring semester and culminate in a collaborative, accumulating exhibition that will open on May 11, 2023.
Please pre-register here - https://forms.gle/cgd6qKXUa8MKDkBB8 -
Dec8This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Dietrich Neumann, Director of the JNBC, will speak about the past and future of Public Humanities and the transformative power of public art.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Dec76:00pm - 7:00pmJ. Carter Brown Lecture by Brigitte Shim: “Materiality and Architecture”
List Art BuildingBrigitte Shim, Founding Partner of Shim-Sutcliffe Architects in Toronto, Canada, will present a talk titled “Materiality and Architecture.”
Brigitte Shim was born in Kingston Jamaica and immigrated to Toronto which is her home. She studied architecture and environmental studies at the University of Waterloo, Canada. In 1994, Shim and her partner A. Howard Sutcliffe founded Shim-Sutcliffe Architects in Toronto, Canada. Their design practice explores the integration and interrelated scales of architecture, landscape, furniture and fittings. Shim-Sutcliffe have realized built work in Canada, the United States, Europe and Asia focusing on place-making.
To date, Shim and Sutcliffe have received sixteen Governor General’s Medals for
Architecture from the Royal Architectural Institute of Canada (RAIC) and an American Institute of Architects (AIA) National Honor Award along with many other professional accolades for their built work. In January 2013, Brigitte Shim and her partner A. Howard Sutcliffe were both awarded the Order of Canada, “for their contributions as architects designing sophisticated structures that represent the best of Canadian design to the world.” In 2021, the Royal Architectural Institute of Canada awarded Brigitte Shim and A. Howard Sutcliffe, the RAIC Gold Medal for their “tireless commitment to advocacy, teaching and mentoring along with their commitment to craft, tectonics, site and ecology in their built work and its lasting impact on Canadian architecture.”Professor Brigitte Shim has been a faculty member at the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto since 1988. Brigitte Shim is the 2022, Louis I. Kahn Professor of Architectural Design at Yale University’s School of Architecture and has been a visiting chair and lecturer at Harvard University’s Graduate School of Design, the Ecole Polytechnique Federale de Lausanne (EPFL), The Cooper Union’s Chanin School of Architecture, The University of Auckland, and others. She has served on numerous international, national and local design juries as an unwavering advocate for design excellence.
This event is sponsored by The Pritzker Foundation’s J. Carter Brown Memorial Lecture Fund at the John Nicholas Brown Center for Public Humanities & Cultural Heritage.
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Dec1This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Historian and filmmaker Claire Andrade-Watkins, Ph.D., a second-generation Cape Verdean American, chronicles the legacy and ‘lived’ memory of the Fox Point community where she was born and raised. She will be in conversation with a little girl who asked her neighbor, “Why do you still have your house, and we don’t?” Dr. Andrade-Watkins is Professor of Media and Africana Studies, MILAIS, Emerson College, and Visiting Scholar, Center for the Study of Slavery and Justice, Brown University.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Nov17This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Andrew Raftery is an artist and Professor of Printmaking at Rhode Island School of Design. His recent work explores French scenic wallpaper and Chinese wallpaper displayed in museums and domestic interiors. He will present a portfolio of drawings and watercolors.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Nov10This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: H. Jack Martin, Executive Director of the Providence Public Library, has been working in public libraries since the age of thirteen when his mom volunteered him to work at the Cornelia Public Library in Georgia. He will discuss how Providence Public Library has transformed itself into a 21st century, free, open-source learning university for the public.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Nov3Today: Kent Kleinman, Faculty Director of the Brown Arts Institute, will talk about the mission of the Brown Arts Institute as an incubator for interdisciplinary coursework, creative practices, and research in the arts.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Oct27This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Renee Ater, former Professor of Art History and Archaeology at the University of Maryland and current Provost Visiting Associate Professor in Africana Studies at Brown University, will speak about her work at the intersection of race, monument building, and public space.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Oct20This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Nirva LaFortune, Providence City Councilwoman and candidate for Mayor of Providence will discuss her time in City Council and what it means to be from Providence and be an elected official.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Oct13This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today, Bob Dilworth, visual artist and Professor Emeritus, University of Rhode Island, will discuss his ongoing attempts to locate and interpret matters of blackness in his artwork during a time of social and political change.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Oct6This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today, artist Deborah Spears Moorehead will discuss her new work Perceptions of Organizational Change, through a Kaleidoscopic Lexicon of Color, a site-specific artistic response to the problematic wallpaper Les Vues d’Amerique du Nordin the main hallway of the Nightingale-Brown House.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Sep29This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Jordan Seaberry is a painter, organizer, legislative advocate and educator, and serves as Co-Director of the U.S. Department of Arts and Culture, a people-powered nonprofit agency. He will discuss his work with the U.S. Department of Arts and Culture (USDAC), an organization born out of the belief that the transformative power of arts and culture can spark a grassroots movement capable of creating a world rooted in empathy, equity and social imagination.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Sep226:30pmConversations at the JNBC: Joseph Chazan, Erminio Pinque, and Lenny Schwartz
Nightingale-Brown HouseThis weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today, f amed Rhode Island arts patron & nephrologist Dr. Joseph Chazan, illustrator and founder of BIG NAZO LAB, Erminio Pinque, and writer and playwright Lenny Schwartz will discuss their involvement in creating “Chazan! Unfiltered”, an innovative locally produced graphic novel chronicling the life adventures of Dr. Chazan and his connections to the Arts and Medical communities.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Sep15This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today, artist Jazzmen Lee-Johnson will discuss her work Not Never More: On remixing and redecorating a history. Join a conversation and walk through Jazzmen Lee-Johnson’s creative response to the problematic wallpaper Les Vues d’Amerique du Nord.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Sep8This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6:30 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today, artist Darrell Petit creates monumental sculptures of granite for public commissions and private collections throughout the world. He will speak about two recent site integrated sculpture projects - Eventat One Dalton, Boston and Standing Stonesin Cambridge, MA.
The Conversations Series is co-sponsored by the Herbert H. Goldberger Lectureships Fund.
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Apr21This weekly series brings together local artists, architects, writers, thinkers, musicians at the Center for Public Humanities to discuss their work with the public, every Thursday at 6 pm. A short presentation will be followed by Q&A and a convivial gathering in a fairly intimate setting.
Today: Barnaby Evans, artist, urban consultant, and creator of WaterFire, will talk about his work creating artworks involving large scale, urban interventions and site-specific installations that serve to catalyze broad citizen involvement in transformational change for their communities.
The Conversations Series is funded by the Marshall Woods Lectureship Foundation of the Fine Arts.
*All individuals – regardless of vaccination status – must wear masks indoors, unless in a private, non-shared space or when actively eating. In addition, social distancing of at least six feet must be maintained when unmasked. Unvaccinated individuals must continue to wear a mask outdoors when social distancing of at least six feet is not possible. Event attendees, including visitors and guests, must comply with all COVID-19 University policies and protocols in place at the time of the event.
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Apr21Doreen Adengo, AIA, is Principal of Adengo Architecture, LLC in Kampala.
Adengo is an architect and the founder of Adengo Architecture in Kampala, Uganda. She has taught studio courses at The New School for Social Research and Pratt Institute, and worked previously for Adjaye Associates. Her firm’s recent work in Uganda includes the design of affordable housing, schools, and a mobile medical clinic that incorporate ecologically sensitive elements such as solar panels and water harvesting capabilities. Adengo is the Conservation Architect on the Uganda Museum, a 1940s modernist building selected for a Getty conservation grant in 2020, and is an expert on modernist architecture in Africa. Adengo’s presentation will discuss architecture in post-colonial Kampala.
Adengo will present on Zoom. Link will be posted soon. Limited seating will be available in List 120.
This event is sponsored by The Pritzker Foundation’s J. Carter Brown Memorial Lecture Fund at the John Nicholas Brown Center for Public Humanities & Cultural Heritage.
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Apr21
Speaker: Rebecca Hernandez, PhD, Community Archivist, and Teresa Mora, Head of Special Collections & Archives, University of California at Santa Cruz Libraries
Talk description: coming soon.
