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References

Auge, M. (1995). Non-places: Intorduction to an anthropology of supermodernity. New York: Verso.

Cary, J. (1999). Suspensions of perception: Attention, spectacle, and modern culture. Cambridge, Mass.: MIT Press.

Chatwin, B. (1987). The songlines. New York, N.Y.: Penguin Books.

Emigh, J. (1996). Masked performance: The play of self and other in ritual and theatre. PA: University of Pennsylvania Press.

Frampton, K. (1995). Studies in tectonic culture. Cambridge, Mass.: MIT Press.

Gandy, J. M. (1982). Joseph michael gandy (1771-1843). London: Architectural Association.

Gomez, P. A., & Pelletier, L. (1997). Architectural representation and the perspective hinge. Cambridge, Mass.: MIT press.

Loos, W. (1997). Bringing nature indoors. On country roads and fields: The depiction of the 18th- and 19th-century landscape (pp. 37)

Mazzoleni, D., 1943. (2004). Domus: Wall painting in the roman house. Los Angeles: J. Paul Getty Museum.

McBryde, I. (2000). Travellers in storied landscapes: A case study in exchanges and heritage. Aboriginal History, 24, 152.

Myers, F. R. (1986). The dreaming: Time and space. Pintupi country, pintupi self: Sentiment, place and politics among western desert aborigines (). CA: The University of California Press.

O'Neill, M. E. (2001). Corporeal experience: A haptic way of knowing. Journal of Architectural Education, I(55), 3.

Pearson, M., & Shanks, M. (2001). Theatre/ archaeology. New York, N.Y.: Routledge.

Shanks, M. (2009). From walter Scott’s marmion to william Gell’s morea: Some lessons in topography and topology for contemporary reconstructions of antiquity. Unpublished manuscript.

Simonds, C. (1976). Three peoples. New York, N.Y.: Samanedizioni.