Julia received her B.A. in Art History and French from Swarthmore College in 2009. During her time at Swarthmore, she completed a French-language thesis on Eugène Atget, inspired in part by her work at the Philadelphia Museum of Art with that institution's magnificent collection of Atget's photographs. After graduation, Julia worked as a curatorial assistant at the Cleveland Museum of Art, where she honed her interest in museum and exhibition theory. At Brown, she studies the Linked Ring and other organizations fighting for the acknowledgement of photography as a fine art at the turn of the twentieth century.
Dominic has BA and MA Degrees in Art History from the Courtauld Institute of Art. His postgraduate studies focused on the history of the printed image in France and Italy before 1700 and culminated in his Master's thesis on the English reception of the French engraver Robert Nanteuil. Before coming to Brown Dominic worked in the British Museum's Department of Prints and Drawings where he catalogued their collection of Italian portrait prints in addition to a large number of German portrait prints and nineteenth-century British book-illustrations. Dominic seeks to understand works of art on their own terms by placing the material object at the heart of his research. He is particularly interested in the different ways in which printed images were used and interpreted both within and outside of the cultural and material environments in which they were produced
Ciprian Buzilă completed a Master’s in Sacred Space and Vernacular Architecture (2011, Ion Mincu University of Architecture and Urbanism/UAUIM) after obtaining two Bachelor degrees: one in Art History (2003, National University of Arts in Bucharest) and another one in Furniture and Interior Design (2010, UAUIM). He worked as referent at the National Institute for Historic Monuments and as a scientific researcher at UAUIM in Bucharest. He was awarded a “Vasile Pârvan” scholarship (2012-2014) at the Romanian Academy in Rome and a Fulbright Junior Award (2014-2015) at University of Cincinnati. He is interested in history and theory of Historic Preservation, in general, and in the phenomenon of conversion of old buildings, in particular.
Laura received her B.A. with Honors from Wellesley College in 2011, where she studied Anthropology and Archaeology. Before arriving at Brown, she attended the Achill Archaeological Field School in Ireland and worked at Old Sturbridge Village in Sturbridge, Massachusetts. She is particularly interested in medieval monastic architecture and spatial analysis.
Alexandra Collins Mathwig
Alexandra Collins Mathwig studies the history of photography, with a particular focus on contemporary American subjects. She received her BA in Art History and Archaeology from Washington University in St. Louis in 2010. Her undergraduate honors thesis, “Not So Beautiful: A Contextual Analysis of Martha Rosler’s Bringing the War Home: House Beautiful,” examined Rosler’s politically motivated series of photomontages on the Vietnam War. She presented a version of this project focusing on the feminist implications of Rosler’s series at the South Eastern College Art Conference in 2010 entitled “False Dichotomies: Martha Rosler’s Bringing the War Home: House Beautiful.” Her current research focuses on John Szarkowski's tenure as Director of Photography at the Museum of Modern Art in New York from 1962 to 1991.
Suzanne specializes in art of the Lowlands in the Early Modern Era, particularly in 16th-century Antwerp. She received her B.A. in Art History from University of Minnesota, Twin Cities, and her M.A. in Art History from University of Washington. Suzanne’s research interests include history and theory of collections, global exchanges, print culture, and art and science in Early Modern Europe.
Jon studies the history of architecture. He received his BA in Art History and Architectural Studies from Tufts University. Before coming to Brown, he worked for several years at the MIT Museum, where he assisted with architecture and photography exhibitions. Jon is especially interested in architectural representation and the history of architectural education and practice.
Lia received her B.A. in Medieval Studies and French from Vassar College (2012), after completing an undergraduate thesis on Viollet-le-Duc’s nineteenth century restoration of Notre-Dame cathedral in Paris. Her current research focuses on Spain and Portugal’s use of medieval and medievalizing architecture in international expositions held in the late nineteenth and twentieth centuries. As an S4 fellow, she is interested in using GIS software to examine questions of architectural space in relation to her topic.
Sara holds a B.Arch and an M.Arch from the University of Miami’s School of Architecture, where she has also co-taught studio courses on and theater- and film-set design with urban historian Jean-François Lejeune and California based media artist Juan Azulay. Her research interests include phenomenological approaches to architecture, theories of spatiality, and the relationship between moving images and the built environment. In her current work at Brown, Sara observes the various attempts within postwar German architectural circles to come to terms with the memory of the Holocaust and the Second World War. She particularly investigates and challenges the former Bauhaus member Otto Bartning’s postwar theory on “working through” the National Socialist past by revisiting and redefining culturally established notions of space.
Amy S. Huang joined Brown University in 2010. She specializes in Chinese art history with a focus on literati painting and collecting practices of the Ming and Qing Dynasties. She is currently working on her dissertation, "Meditating on the Past: reading paintings of seventeenth-century Nanjing through the literary tradition of Jinling huaigu." Before coming to Brown, Amy completed a BA in Management Information Systems in Taiwan (2004). After college, her interest in museums brought her to the UK where she received an MA in Museum Studies from University College London (2005). Coming to the United States in 2008 to pursue graduate studies in the history of art , Amy received an MA in Asian Art History from Boston University (2010) with a thesis on the collecting practice s of the 17th-century Chinese art collector Gao Shiqi. Amy 's research has been supported by the Henry Luce Foundation, and she has worked as a curatorial intern in the Museum of Fine Arts Boston and Peabody Essex Museum.
I-Fen Huang is a Ph.D. candidate of late Chinese art. She received her MA from National Taiwan University, served as curator of the Shih-t'ou Shu-wu Collection and worked as a graduate intern at the International Center of Photography in New York prior to coming to Brown. Focusing on the Gu Family style embroidery made in seventeenth-century Shanghai and other regions in southeast China in the succeeding three centuries, her dissertation explores issues such as the commodification of literati culture, and interrelationship between needlecraft and gender in late imperial and modern China. I-Fen’s research has been supported by the Academia Sinica, the Chiang Ching-kuo Foundation for International Scholarly Exchange and the Smithsonian Institution. Her current research at the Freer and Sackler Galleries explores the technical aspect of textile art production and its cultural meanings.
Josie studies the history of photography. She received her B.A. from Stanford University, where she studied Art History and Slavic Language and Literature. Before entering Brown, Josie worked as a curatorial assistant at the Cantor Arts Center and a curatorial intern at the Art Institute of Chicago. Her interests include Russian art and architecture, museum history, and interwar photography.
Erica received her B.A. from Arizona State University in History and Comparative Religious Studies where she studied early Medieval art and literature. She has a M.A. in Museum Studies from the University College London's Institute of Archaeology, where she studied the English country house in post-World War II Britain. Before coming to Brown, Erica worked as curator for Chiddingstone Castle, UK, and as director of the Telluride Historical Museum in Colorado. Erica is interested in medieval art and architecture, particularly the ways in which gender is reflected in the developments of sacred spaces and ritual.
Ruth W. Lo
Ruth W. Lo is a Ph.D. candidate studying the history of architecture and urbanism. She holds a B.A. in Architecture and a B.A. in Italian Studies from the University of California, Berkeley, where she spent a year studying at the University of Bologna in Italy. She worked at Steven Holl Architects prior to returning to graduate school at Cornell University, where she received her M.A. in the History of Architecture and Urban Development. Her current research is on food, architecture, and urban planning of Rome during the first half of the twentieth century. Ruth is the Donald and Maria Cox Pre-Doctoral Rome Prize Fellow in Modern Italian Studies at the American Academy in Rome during academic years 2013-2015.
Eloise studies the history of photography. She received her B.A. in Art History from the University of Oxford and her M.A. in Art History from the Institute of Fine Arts, NYU. She wrote her MA thesis on the role of abstraction in the work of contemporary photographer James Welling. Eloise has held positions in the Department of Photography at the Museum of Modern Art, New York, the International Center of Photography, New York, and the Richard Avedon Foundation, New York. Eloise’s interests include Postwar American art, the issue of medium specificity as it relates to photography, and alternative photographic processes.
Emilia Mickevicius is studying the history of photography in relation to modern and contemporary art. She received her B.A. with Honors from the University of Chicago in 2011, where she studied art history and visual art. In her undergraduate thesis she examined the modernist photographer Paul Strand’s The Mexican Portfolio and subsequent film projects. She also interned at the Art Institute of Chicago in the departments of Prints & Drawings and Photography. Emmy’s interests include the representation of landscape and environment, the legacy of the 1975 George Eastman House exhibition New Topographics, the rise of color in art photography, directorial and tableau photographs, and art theory and criticism.
Emily Monty joined the graduate program at Brown in 2013 with a focus in Cinquecento Italy. Her research contributes to an understanding of cultural interchange and mobility in the Renaissance, focusing in particular on paintings, engravings, and treatises as sites of knowledge exchange among Italian and Spanish artists at the end of the sixteenth-century. She completed her Master’s in the History of Art at Tufts University in 2012, where she wrote a thesis entitled “Re-forming Translation: Illustrated Scripture in Post-Tridentine Europe.” Her honors thesis (Bates College, 2010), “Lorenzo Ghiberti, Tradition, and Identity: the use of Byzantine prototypes in the north doors for the Florentine Baptistery,” looked at the survival of medieval iconography and style in the early Renaissance.
Emily Chace Morash
Emily received her B.A. from Smith College in Art History and Italian Language and Literature (2004), where she spent a year studying in Florence, Italy. Emily then received her M.A. from the University of Virginia in Architectural History (2006). Her M.A. Thesis is titled, “The Città Universitaria and Cultivating a National Identity: Fascist-sponsored Urban Projects and Architecture in Rome.” Emily has worked at the Isabella Stewart Gardner Museum and is the former president of the Thomas Jefferson Chapter of the Society of Architectural Historians. She has taught for the Historic Preservation Program for RISD’s Continuing Education Department, and is currently a visiting instructor at Connecticut College. Emily’s dissertation, Rethinking Italian Domestic Architecture: Gio Ponti, Milan, and Lo Stile, 1941-1947, examines the development of domestic architecture in the final years of the fascist period and the Second World War and into the immediate postwar period. Her research interests include modern domestic architecture, the role media (film, periodicals, and other publications) plays in the development of modern architecture, and the publicity of modern architecture through exhibitions. Emily has presented her research at the NESAH Student Symposium and at the Annual Meetings of the Society of Architectural Historians.
Allison studies the history of photography. She comes to Brown from the Museum of Fine Arts, Houston, where she was assistant curator of photography. She has also held positions in the Department of Photographs at the J. Paul Getty Museum, the Department of Photography at the Museum of Modern Art, New York, the Williams College Museum of Art, and the Williamstown Art Conservation Center. Allison is delighted to be back at Brown, where she received a B.A. in History of Art and Architecture and a B.A. in Anthropology, with honors. She holds an M.A. from Williams College in History of Art. Photo courtesy of Keliy Anderson-Staley
Bill studies architectural history. His interests include the history of technology, colonialism and the relationship between the built and natural environments in the British West Indies. Bill’s current research looks at the development of experimental architecture through the design, manufacture, transport and assembly of military structures in Barbados and elsewhere during the 19th century. He holds a B.S. in Industrial Design from the University of the Arts and an M.A. in the History of Architecture and Urban Development from Cornell University.
Rebecca Szantyr researches the visual and material culture of the global 18th century. After receiving her B.A. in art history from Vassar College in 2003, she worked for a prominent dealer of 19th century European and American painting before commencing her graduate studies. As a recipient of the Cleveland Museum of Art Fellowship, she completed her M.A. in Art History at Case Western Reserve University in 2010, writing a master’s thesis that examined Johan Zoffany’s conversation pieces in India before and after the 1785 departure of Governor-General Warren Hastings.
At Brown, Rebecca’s work concentrates on the Atlantic World during the long 18th century. Her qualifying paper, “White-Washing the Docklands: Visualizing London’s Maritime East End” investigates representations of black mariners in print and the cityscape in the decades following the American Revolutionary War. Her dissertation reappraises the artistic category of “colonial American,” through the case of John Greenwood, an artist whose life and career crossed the Anglo-Dutch Atlantic.
Rebecca has held positions in the curatorial departments of the Frances Lehman Loeb Art Center, Cleveland Museum of Art, Yale Center for British Art, and the Rhode Island School of Design Museum.
Kelly received her B.A in Art History from Carleton College (2006) and her M.A. in Art History from the University of Oregon (2011). Her work focuses on Rome during the sixteenth and seventeenth centuries. Specifically, Kelly’s research examines Church rituals and ceremonies (especially pilgrimage), and the ways in which these performances incorporated statues, architecture, and public space.