Tuesday, October 16, 2018
Noon to 1:30 pm
The Faculty Club

Note: Video is not available for this event.

Biography

Dana Gooley is a musicologist and a Professor of Music at Brown. He has published widely on the history of music in nineteenth-century Europe, with a special focus on performers and performance culture. His work has appeared in Journal of the American Musicological SocietyMusical QuarterlyJournal of Musicology19th Century MusicKeyboard PerspectivesPerformance Research, and several edited collections. Other interests include the history of music criticism, virtuosity, musical mediation, improvisation, cosmopolitanism, jazz, and the theatre of Stephen Sondheim. He is the author of two books: The Virtuoso Liszt(Cambridge University Press, 2004) and Fantasies of Improvisation: Free Playing in Nineteenth-Century Music (Oxford University Press, 2018). He was chosen as scholar-in-residence for the Bard Music Festival and co-edited the associated book Franz Liszt and His World (Princeton University Press, 2006).

Wherever improvisation appears—whether in music, comedy, sports, or diplomacy—it fascinates observers with its apparent spontaneity and inexplicability. It seems to demonstrate powers of invention, reaction, and readiness that cannot be found in other modes of behavior or action, and for this reason it is often invested with a surplus of ethical, social, or aesthetic value. Professor Gooley's lecture outlines the emergence of this modern concept of improvisation and examines the role music has played in its crystallization.