Guggenheim fellowship will fuel Brown professor’s new book on performative speech

The prestigious fellowship will fund a year of research and writing time for Bonnie Honig’s new book, which aims to reclaim the term ‘performativity’ and acknowledge the power of words to transform societies.

PROVIDENCE, R.I. [Brown University] — Bonnie Honig, a professor of modern culture and media and political science at Brown University, has been awarded a fellowship from the John Simon Guggenheim Memorial Foundation, the organization announced on Wednesday, April 5.

Honig is one of 171 new Guggenheim fellows, chosen through a peer-review process from a pool of almost 2,500 applicants. The fellows, who are selected based on their past achievements and future promise, represent 48 scholarly fields and artistic disciplines; among them are painters, geoscientists, novelists and public health experts.

The fellowship will fund a year of research and writing time for Honig’s new book, “Doing Things with Words: Virality and Performativity in Democratic and Queer Theory.” In the book, Honig will demonstrate how the definition of performative speech has changed over the decades — and why it’s important to reclaim the term’s original meaning, which acknowledges the awesome power of words to transform situations and societies.

Honig explained that the British philosopher J. L. Austin coined the term “performative utterances” to describe words that doubled as actions. In the seminal 1962 book “How To Do Things With Words,” Austin wrote that performative utterances, in contrast to so-called “constative utterances,” don’t just describe things as they are but in fact change the social reality. The wedding vow “I do,” for example, is a performative utterance. The words don’t just describe one person’s love for another, Honig said. They double as action, committing one person to another but also injuring those excluded from taking part in traditional wedding ceremonies. For the latter group, the “I do” is also a “not you.”

“ I want to reclaim the term ‘performativity,’ because performativity isn’t inaction. Performative words can degrade us and isolate us, and they can also elevate us and unite us. ”

Bonnie Honig Professor of modern culture and media and political science

Honig said that today, “performative” has taken on a new definition as a synonym for “hypocrisy.” To accuse someone of speaking performatively in 2023, she said, is to accuse them of using words that ring hollow because they aren’t paired with action.

“When ‘performativity’ became synonymous with hypocrisy, we lost an important term that helped us understand the power words can have, in ways both good and bad,” Honig said. “The political theorist Hannah Arendt admired how the words ‘we hold these truths to be self-evident,’ a performative speech act, founded a nation. But Frederick Douglass saw how the words ‘we hold’ secured equality only for some, and reinstated inequality for the enslaved. I want to reclaim the term ‘performativity,’ because performativity isn’t inaction. Performative words can degrade us and isolate us, and they can also elevate us and unite us.”

The new book marks a full-circle moment in Honig’s scholarly career, bringing together ideas and concepts she began studying in the 1980s and 1990s as a Ph.D. student at Johns Hopkins University and a faculty member at Harvard University. In “Doing Things With Words,” Honig plans to bring together Austin’s mid-century philosophy of language, Arendt’s political theory, the 1990s queer theory of Eve Sedgwick and Judith Butler and even classical tragedy.

“I am working at the intersection of political theory, queer theory and sexuality studies at a time of great pressure for those who are sexually minoritized,” Honig said. “I’m so grateful that the Guggenheim Foundation has recognized the importance of this kind of work at this pivotal juncture. I think it’s crucial to prioritize democratic equality in the context of difference, and I’m glad they agree.”