Date December 3, 2025
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Exhibitions in Brazil showcase global slavery oral history project led by Brown’s Simmons Center

Research led by the Ruth J. Simmons Center for the Study of Slavery and Justice is highlighted in two museums in Rio de Janeiro in exhibitions that focus on the global legacies of racial slavery.

PROVIDENCE, R.I. [Brown University] — An exhibition about “Unfinished Conversations,” an oral history project led by Brown University’s Ruth J. Simmons Center for the Study of Slavery and Justice, is on view in Rio de Janeiro, Brazil, as part of a series of events in the city about the legacies of global slavery.

The exhibition at the Instituto Pretos Novos through Monday, Dec. 15, is an adaptation of one currently on view at the Simmons Center on Brown’s campus. Both were curated by Brown University Ph.D. candidate Yannick Etoundi under the direction of Simmons Center Director Anthony Bogues to offer an accessible entry point into the multifaceted oral history and public engagement project.

“‘Unfinished Conversations’ tells the global story of how racial slavery and European colonialism were the foundational planks of the making of the modern world,” said Bogues, a professor of Africana studies at Brown. 

As part of “Unfinished Conversations,” researchers from across the world, led by the Simmons Center, collected more than 150 oral histories about individuals’ experiences with the legacies of racial slavery and colonialism — an archive now available to the public through the Brown Digital Repository. Multiple Brown students, including Etoundi, were involved in revising, editing and summarizing transcripts for the archive.

The work stemmed from the Global Curatorial Project, which was formed in 2014 when the Simmons Center invited scholars from global museums to come together to address the topics of racial slavery, colonialism and public history. 

In addition to the exhibit at the Instituto Pretos Novos, a traveling version of another exhibition co-curated by the Simmons Center, “In Slavery’s Wake”— which premiered at the Smithsonian in Washington, D.C., in 2024 — has opened at Brazil’s national history museum in Rio de Janeiro. Translated from Portuguese as “Beyond Slavery: Building Black Freedom in the World,” it is on view at the Museu Historico Nacional through March 1, 2026, and integrates the oral histories collected as part of the “Unfinished Conversations” series. 

Bogues said “In Slavery’s Wake” sparked the creation of exhibitions and events across the city organized by Global Curatorial Partners Keila Grinberg and Aline Montenegro Magalhães.

After it closes in Rio de Janeiro, “In Slavery’s Wake” is expected to travel to South Africa in May 2026.

“The exhibitions are catalytic instruments that open the space for dialogue between countries, between museums, between scholars and between ordinary people who would not otherwise be engaging in this kind of dialogue about racial slavery and colonialism,” Bogues said.  

Sharing untold stories with global audiences

The exhibition on Brown’s campus, “The Unfinished Conversations Series Exhibition,” is on view through Friday, Dec 12, and focuses on the themes and curatorial process associated with the oral history project. It was adapted for the Instituto Pretos Novos and translated into Portuguese. 

“The exhibit is sort of like a glimpse into the archive,” said Etoundi, who is studying history of art and architecture and has worked on the project as part of research and curatorial roles at the Simmons Center for the past three years. “This was an exciting opportunity to think about the project not only geographically, but more thematically, and draw links between the different interviews.”

Through five panels, it shares quotes and themes that emerged in the oral histories collected in communities impacted by slavery, including in the U.S., Jamaica, Brazil, Belgium, England, Senegal, Democratic Republic of Congo and South Africa.

The exhibition is framed by the concept that the voices of enslaved and colonized individuals remain largely absent from institutional archives, Etoundi said. It illustrates the ways in which the legacies of racial slavery and colonization continue to shape contemporary societies and how freedom-making practices have been important to sustaining communities. 

“I’ve been immersed in all of these interviews and stories for so long that I feel like I know all of these people,” Etoundi said. “These are personal, family stories that bring a human dimension to the topic of racial slavery and colonialism.”

As a young scholar and curator, Etoundi said it has been a powerful experience to work on the project with colleagues in Brazil and across the world. 

“I want to note the importance of bringing different perspectives and different generations into an initiative like this,” Etoundi said.   

As part of programming in Rio de Janeiro to elevate research and discussion on the global legacies of slavery, there was a screening of the Simmons Center’s film about “Unfinished Conversations,” at a conference, “In Slavery’s Wake: Memory, Justice and Reparation,” at Brazil’s National Archives. Bogues spoke at the conference about how the project challenged the conventional histories of slavery while creating a global archive.

“Unfinished Conversations” is funded by the Abrams Foundation and the Wyncote Foundation.