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Date April 15, 2026
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Students in Hawai’i@Brown celebrate third annual Spring Lū’au

In a night of song, dance and storytelling, the student organization’s sold-out celebration explored the enduring legacy of the paniolo and the richness of Hawaiian culture and traditions.

PROVIDENCE, R.I. [Brown University] — On a recent spring night, the spirit of the Hawaiian cowboy rode into Sayles Hall.

The story of the paniolo, or Hawaiian cowboy, came alive through song, dance and storytelling as Hawai’i@Brown hosted its Third Annual Spring Lū’au in mid-April, bringing together more than 200 Brown University students, faculty and community members for a vibrant, sold-out celebration of Hawaiian culture.

This year’s theme, paniolo, offered a lens into a lesser-known but significant part of Hawaiian history, according to the event organizers. After cattle were introduced to Hawaiʻi in the late 18th century, Mexican vaqueros brought ranching knowledge that Native Hawaiians adapted to their own environment. Today, paniolo continue to carry those practices forward across the islands, maintaining a living tradition that bridges past and present.

Attendees are served traditional Hawaiian and fusion dishes from Manoa Poke
Lū’au attendees filled their plates with dishes that reflect both traditional Hawaiian cuisine and the cultural influences that have shaped it over time, like kalua pork and and kim chee cucumbers.  

“We’re providing a really authentic representation of what Hawaiian culture looks like,” said junior Skyler Recel-Chang, co-president of Hawai’i@Brown. “We want to remind people that these aren’t just stories or party themes — they’re real communities, real traditions and real histories that deserve to be understood and respected.”

The lū’au opened with an 'oli, a traditional chant, followed by an educational presentation led by student organizers that introduced attendees to Hawaiian history, Indigenous identity and the broader cultural context behind the two.

Guests filled their plates with dishes like kalua pork, poi, shoyu ahi poke, guava cake and haupia pudding catered by Mānoa Poke — one of a small number of Pacific Islander-owned restaurants operating in New England — and shared in a feast that reflected both traditional Hawaiian cuisine and the influences that have shaped it over time.

Throughout the night, that spirit of cultural exchange remained front and center, especially in a collaborative performance with Mezcla, a student-led Latin dance group at Brown, who choreographed a cowboy-themed routine set to a medley of Mexican regional songs.

Since its revival on campus in 2024, the Spring Lū’au has welcomed various student dance companies to join in the festivities. Those partnerships have become a highlight of the lū’au and a tradition that the club hopes to carry into the future, said Recel-Chang.

“We never want the lū’au to be exclusionary,” she said. “[Hawai’i@Brown’s] whole thing is that we want everyone to be able to come into this space and learn and grow alongside us, celebrating something that, until recently, hasn’t really had a space to be celebrated.”

Throughout the night, students took the stage with hula performances that blended movement, chant and storytelling, and a kanikapila, which is a group jam session, gave student musicians the opportunity to share songs in the Native Hawaiian language, accompanied by guitar, ukulele and other traditional instruments.

“ We’re providing a really authentic representation of what Hawaiian culture looks like. We want to remind people that these aren’t just stories or party themes — they’re real communities, real traditions and real histories that deserve to be understood and respected. ”

Skyler Recel-Chang Co-president of Hawai'i@Brown

And in a Spring Lū’au first, Hawai’i@Brown hosted Hālau Hula Pua Aliʻi ʻIlima, a New York City-based professional hula company whose dancers swayed in time to a live set by Brown student musicians, including Recel-Chang, who said it was her favorite part of the event.

“I grew up playing this kind of music with my family, and it’s not something I usually get to do here,” she said. “It’s a special experience to do something that’s completely unique and not really like anything else that’s happening at Brown.”

As the first chords of the revered “Hawaiʻi Aloha” began, the lyrics — in Native Hawaiian — were projected on stage, encouraging attendees to join in song. It’s a tradition that has become a hallmark of the event, which has doubled in size over the last two years.

“Our seniors and I got teary-eyed, ending the night seeing more than 200 people in the crowd holding hands and singing along,” Recel-Chang said. “It was also really nice to see more people singing along this year who attended last year and learned the song then. It was a profound full-circle moment for all of us.”

A raffle at the end of the lū’au raised funds for the Waipā Foundation, a nonprofit organization dedicated to restoring native plants on Kaua’i and teaching land-based cultural practices to future generations of Hawaiians. By supporting efforts like Waipā, Recel-Chang said the lū’au reinforces the values at the heart of the paniolo tradition and Native Hawaiian culture more broadly.

“That’s the reason why we still get to practice some of these cultural arts today — people have held on so dearly to their identities and traditions,” she said. “We want to bring some of the profits that we make from this event and give it all back to the community that nurtures us.”