“The Listening Takes,” opening Feb. 9 at the Bell Gallery, exposes the film industry’s decades-long tendency to silence women who speak up about sexism and sexual assault on set.

In recent years, BAI has cultivated close, long-term relationships with Providence-area creators through financial assistance, workshops and residencies — enriching the art scene and bolstering learning at Brown.

Two dozen Brown community members and Providence-area residents recently had the rare chance to perform in “What Problem?,” directed and choreographed by Bill T. Jones, at the VETS Auditorium.

Called “Marking Time: Art in the Age of Mass Incarceration,” the exhibition features paintings, sculptures and other works by prisoners, loved ones and advocates.

In the last year, a diverse collection of sculptures, murals and mixed-media installations by internationally renowned artists Damien Hirst, Rebecca Warren and Sol LeWitt has come to Brown.

Avery Willis Hoffman, artistic director of the Brown Arts Institute, shares how the fruitful intertwining of scholarship, research and practice will shape the future of the arts at Brown.

By merging themes in dance and computer science, the course Choreorobotics 0101 is teaching the next generation of engineers how to create technology that minimizes harm and makes a positive impact on society.

The name for the center, set to open in 2023, honors Brown Corporation member Frayda Lindemann and her late husband, George Lindemann Sr., a longtime University supporter, business executive and art collector.

A new collection of drafts, notes and correspondence from playwright José Rivera gives scholars a window into one artist’s process and provides new perspective on the lived experiences of Latin Americans.

Kleinman, who currently serves as provost at Rhode Island School of Design, will lead the development and implementation of academic programs within Brown University’s Arts Institute.

The Brown Arts Institute has partnered with Creature Conserve, a Rhode Island nonprofit, to host an exhibition and symposium focused on wildlife conservation and human-animal relationships.

Created by Maōri artist Lisa Reihana, the video installation “In Pursuit of Venus [infected]” adds nuance and Indigenous perspective to the first encounters between South Pacific islanders and European seafarers.

The Brown Arts Institute’s free and open-to-the-public Songwriting Workshop provides a welcoming space for musicians from all walks of life to perform for one another and receive feedback on songs in progress.

Brehan Brady — a self-described working-class kid from Pawtucket who transferred to Brown from the Community College of Rhode Island — joins other student veterans in forging a new path after their military service.

On view at the Granoff Center for the Creative Arts, a belt made of quahog clam shells, deerskin and artificial sinew symbolizes and celebrates a United Nations resolution asserting the rights of Indigenous peoples worldwide.

“Arrows of Desire” features the work of two local artists who bonded over a shared love of nature and the poet William Blake during the COVID-19 pandemic.

Leaders at the Brown Arts Institute, which transitioned from the Brown Arts Initiative in July, are planning for a return to in-person performances, exhibitions, film screenings and more.

Graduate student playwrights Nkenna Akunna, Seayoung Yim and Christopher Lindsay were recognized with national awards for writing creative scripts that tackle difficult subjects such as racism, misogyny and “fatphobia.”

The Brown Arts Initiative teamed up with members of the student organization Brown Esports and a local artist-producer to create a virtual concert venue replete with whimsical details.

A weeklong Festival of Dance from March 20 to 26 will commemorate the 50th anniversary of dance at the University with studio classes, engaging presentations and premiere performances.

The annual staff art exhibition, curated by the Brown Arts Initiative, is an eye-opening reminder that Brown’s employees are as innovative, thoughtful and bold in their free time as they are at work.

Held virtually over the span of nearly three weeks, [email protected]’s annual event may look different this year, but organizers lined up an award-winning slate of designers, journalists, business leaders, models and more.

To celebrate the topping-off of its future hub for performing arts scholarship, University leaders joined construction workers and key project partners for a live-streamed virtual ceremony complete with on-site drone footage.

A virtual fete on Tuesday, Dec. 15, will pay tribute to Karen Allen Baxter, who has served as senior managing director of Brown’s Rites and Reason Theatre since 1988.

As artistic director, Hoffman will curate arts programming, including work by students, faculty and external artists and organizations, building the visibility and quality of arts programming at the University.

Students in the remote course Indigenous Art, Issues and Concepts, taught by visiting instructor Marina Tyquiengco, will cap off the fall semester by creating their own Indigenous art exhibitions.

A new virtual arts hub, BAI at Home, details live-streamed concerts, online exhibitions and creative challenges for students, faculty, staff and members of the greater community.

The Brown Arts Initiative’s Community Development Grants will fund the creation of new art for the 2020-21 season and help to support local artists who have been impacted by the pandemic.

This spring, events presented by the Brown Arts Initiative and other campus arts entities give students and curious community members the chance to see how creators in every field execute their ideas.

Thalia Field, the Brown Arts Initiative’s new faculty director and a professor of creative writing at the University, discussed her vision for the future of the arts at Brown.