Using a technique that preceded the photographic camera, Brown Arts Institute staff projected a live image of the outside world, including the University’s stunning new Lindemann Performing Arts Center, inside a darkened room.
After seven years of excavation at the former site of a 19th-century Providence family home, Brown students have begun searching for artifacts at a new location on campus.
Professor Elizabeth Fussell discussed the Fifth National Climate Assessment, for which she co-authored a chapter, as part of the report’s expanded focus on the social impacts of climate change.
The anthropology museum’s move to Providence’s Jewelry District, slated for Fall 2025, will open new possibilities for scholarship, community outreach and partnership with Indigenous communities worldwide.
Alumni and community members celebrated the newly transformed home of Africana Studies and Rites and Reason Theatre as part of a weekend of lectures and events focused on the Black experience at Brown.
As a graduate student in Brown’s music department, Haruta hopes to spark inspiration and reflection through her interactive piece, "Piano (de)composition."
Packed with building tours, family activities, a ribbon-cutting and the center’s inaugural public performance, the weekend offered countless opportunities for community members to celebrate the arts at Brown.
“Open again a turn of light,” written by Brown faculty members Eric Nathan and Sawako Nakayasu, will premiere on Saturday, Oct. 21, part of the inaugural public performance at The Lindemann Performing Arts Center.
Student, faculty and community artists, violinist Itzhak Perlman and countless other creators will take part in a day of performances, discussion and tours to celebrate the opening of the unique performing arts center in Providence.
“Vampire Nation,” composed in prison in 2009 by Mumia Abu-Jamal and arranged by Brown Ph.D. student Marcus Grant, had its world premiere at a symposium focused on mass incarceration.
University leaders hosted a special celebration to recognize key project partners, skilled craft workers who dedicated hundreds of thousands of hours to the planning, design and construction of the state-of-the-art venue.
“Momentum,” an art exhibition at the Center for the Study of Race and Ethnicity in America, features thought-provoking work by a diverse set of artists in the Providence area and beyond.
A series of detailed landscapes and other nature-inspired prints by regional artist and educator Andrew Nixon, on display at Brown’s Watson Institute, merges the worlds of old-world etching, contemporary digital image-making and traditional printmaking technology.
Unbeknownst to some passersby, the Brown University building is a unique mausoleum, museum and memorial that opened in 1907 — an in-progress restoration will enable public access again in 2025.
Musician Jon Batiste, violinist Itzhak Perlman and countless creators from Brown will take part in a day of performances, discussion, tours and a parade to celebrate the unique performing arts center in Providence.
“What I Know About Magic,” now on display on the first floor of Friedman Hall, shows books about magic and the occult artfully arranged in clever, humorous and thought-provoking ways.
Traditionally an intensive one-year degree program, a master’s in urban education policy will now be available to part-time students, including Rhode Island teachers, education administrators, full-time caretakers and more.
“Infinite Composition,” an engaging LED light sculpture designed by artist Leo Villareal, will illuminate the Nelson Atwater Lobby inside The Lindemann, which will open at Brown in Fall 2023.
The JCB, an independent research library on the Brown University campus, has refreshed its entryway and online collections access, further opening its physical and digital doors to scholars researching the history of the Americas.
Taught by Laura Colella, a writer and director, the course gave eight undergraduates a rare opportunity to bring their own screenwriting to life in collaboration with professional actors.
Brown University’s contemporary art gallery launched a new web-based database where scholars, curators and the public can explore a dynamic collection of photographs, paintings and more.
Launching with the opening of the Lindemann Performing Arts Center in October 2023, the IGNITE series will include performances, exhibitions and events that demonstrate how art can be a powerful vehicle for change.
As part of his senior thesis, Aaron Castillo partnered with PPL to present an exhibition that delves into the food cultures of Providence communities displaced by redevelopment and gentrification.
For a decade, a committee of faculty, students and staff has brought more than 40 diverse exhibitions to Brown’s Watson Institute, amplifying the institute’s mission of promoting a just and peaceful world.
The prestigious fellowship will fund a year of research and writing time for Bonnie Honig’s new book, which aims to reclaim the term ‘performativity’ and acknowledge the power of words to transform societies.
The Center for the Study of Slavery and Justice, founded in the 2012-13 academic year, has become a leading force for original research, international engagement and public conversation on the legacies of racial slavery.
Created by Brown faculty and library staff, the digital publication “Shadow Plays” won a prestigious Professional and Scholarly Excellence Award from the Association of American Publishers.
“The Listening Takes,” opening Feb. 9 at the Bell Gallery, exposes the film industry’s decades-long tendency to silence women who speak up about sexism and sexual assault on set.
Professor of Philosophy Bernard Reginster argues that the key to well-being isn’t a new meditation routine or a tropical vacation — it’s a willingness to ask tough questions about what defines a life well-lived.
Since 2015, students at Brown have been excavating a 19th-century Providence family home — unearthing stories about the booming local textile industry, the European immigrant experience and life in the Gilded Age.
In recent years, BAI has cultivated close, long-term relationships with Providence-area creators through financial assistance, workshops and residencies — enriching the art scene and bolstering learning at Brown.
As part of a hands-on graduate practicum course, six Ph.D. students played a major role in curating an exhibition of 17th-century paintings by the female Flemish master Michaelina Wautier.
Since 1948, a spirited December event hosted by the Department of Classics has drawn hundreds of audience members from far and wide for performances, readings and carol singalongs in Latin, ancient Greek and Sanskrit.
Two dozen Brown community members and Providence-area residents recently had the rare chance to perform in “What Problem?,” directed and choreographed by Bill T. Jones, at the VETS Auditorium.
The anthropology museum, reopened to the public for the first time since the COVID-19 pandemic, will display colorful, experimental art that provides insights on an era of political upheaval in Anglophone West Africa.
Called “Marking Time: Art in the Age of Mass Incarceration,” the exhibition features paintings, sculptures and other works by prisoners, loved ones and advocates.
As the 2023 A.W. Mellon Lecturer in the Fine Arts, Stephen Houston will provide insight on the “wild, raucous energy” of ancient Mayan glyphs at the National Gallery of Art in Washington, D.C.
To fuel college access and readiness, Brown University and the Providence Public School District have expanded student outreach and support to recruit and enroll more Providence high school students in Pre-College Programs.
As an iProv summer fellow, the rising Brown sophomore created a new coding class for local students attending summer day camp at Providence recreation centers.
With a deeper telling of Indigenous and African American histories, a pilot summer institute led by Brown’s Center for the Study of Slavery and Justice aimed to both teach and inspire students.
Co-founded by distinguished lecturer Julie A. Strandberg and her former student, Artists and Scientists as Partners (ASaP) symposiums enable people with certain neurological disorders to find joy, connection and longed-for freedom.
Avery Willis Hoffman, artistic director of the Brown Arts Institute, shares how the fruitful intertwining of scholarship, research and practice will shape the future of the arts at Brown.
In a series of recent collaborations with local cities and schools, Jonathan Collins has shown how “participatory budgeting” can empower and engage people whose voices are often excluded from conversations about public spending.
Kenneth Wong, an education scholar at Brown, will assess whether a longstanding music enrichment program in Pawtucket is helping to close opportunity and education achievement gaps for low-income students of color.
With support from a $1.25 million grant from the Abrams Foundation, scholars at Brown are working with partners to collect personal stories that reveal how slavery and colonialism shaped societies across the globe.
A new collection of drafts, notes and correspondence from playwright José Rivera gives scholars a window into one artist’s process and provides new perspective on the lived experiences of Latin Americans.
Kleinman, who currently serves as provost at Rhode Island School of Design, will lead the development and implementation of academic programs within Brown University’s Arts Institute.
Michael Steinberg, a professor of music and history at Brown, has curated a new exhibition on Richard Wagner, one of the 19th century’s most influential and problematic cultural figures, in Berlin.